HBO's Treme and Post-Katrina Catharsis

The Mediated Rebirth of New Orleans

Nonfiction, Social & Cultural Studies, Social Science, Sociology, Urban, Cultural Studies, Popular Culture
Cover of the book HBO's Treme and Post-Katrina Catharsis by Ariane Hudelet, Helen Morgan Parmett, Johnny Jones, Gregory Adamo, Lynnell Thomas, Kristin Shamas, Wendy Hajjar, Aurelie Godet, Lexington Books
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Author: Ariane Hudelet, Helen Morgan Parmett, Johnny Jones, Gregory Adamo, Lynnell Thomas, Kristin Shamas, Wendy Hajjar, Aurelie Godet ISBN: 9781498545617
Publisher: Lexington Books Publication: April 7, 2017
Imprint: Lexington Books Language: English
Author: Ariane Hudelet, Helen Morgan Parmett, Johnny Jones, Gregory Adamo, Lynnell Thomas, Kristin Shamas, Wendy Hajjar, Aurelie Godet
ISBN: 9781498545617
Publisher: Lexington Books
Publication: April 7, 2017
Imprint: Lexington Books
Language: English

Ten years after Hurricane Katrina, outsiders will have two versions of the Katrina experience. One version will be the images they recall from news coverage of the aftermath. The other will be the intimate portrayal of the determination of New Orleans residents to rebuild and recover their lives. HBO’s Treme offers outsiders an inside look into why New Orleanians refused to abandon a place that many questioned should not be rebuilt after the levees failed. This critically acclaimed series expanded the boundaries of television making in its format, plot, casting, use of music, and realism-in-fictionalized-TV. However, Treme is not just a story for the outside gaze on New Orleans. It was a very local, collaborative experience where the show’s creators sought to enlist the city in a commemorative project. Treme allowed many in the city who worked as principals, extras, and who tuned in as avid viewers to heal from the devastation of the disaster as they experimented with art, imitating life, imitating art. This book examines the impact of HBOs Treme not just as television making, but in the sense in which television provides a window to our worlds. The book pulls together scholarship in media, communications, gender, area studies, political economy, critical studies, African American studies and music to explain why Treme was not just about television.

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Ten years after Hurricane Katrina, outsiders will have two versions of the Katrina experience. One version will be the images they recall from news coverage of the aftermath. The other will be the intimate portrayal of the determination of New Orleans residents to rebuild and recover their lives. HBO’s Treme offers outsiders an inside look into why New Orleanians refused to abandon a place that many questioned should not be rebuilt after the levees failed. This critically acclaimed series expanded the boundaries of television making in its format, plot, casting, use of music, and realism-in-fictionalized-TV. However, Treme is not just a story for the outside gaze on New Orleans. It was a very local, collaborative experience where the show’s creators sought to enlist the city in a commemorative project. Treme allowed many in the city who worked as principals, extras, and who tuned in as avid viewers to heal from the devastation of the disaster as they experimented with art, imitating life, imitating art. This book examines the impact of HBOs Treme not just as television making, but in the sense in which television provides a window to our worlds. The book pulls together scholarship in media, communications, gender, area studies, political economy, critical studies, African American studies and music to explain why Treme was not just about television.

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