Heaven is High and the Emperor Far Away, a Play

Nonfiction, Entertainment, Performing Arts
Cover of the book Heaven is High and the Emperor Far Away, a Play by Hock G. Tjoa, Hock G. Tjoa
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Author: Hock G. Tjoa ISBN: 9781466169012
Publisher: Hock G. Tjoa Publication: November 11, 2011
Imprint: Smashwords Edition Language: English
Author: Hock G. Tjoa
ISBN: 9781466169012
Publisher: Hock G. Tjoa
Publication: November 11, 2011
Imprint: Smashwords Edition
Language: English

This is the story of Shopkeeper Wang and the friends, the regulars, and the transients who visit the Yutai (Abundant Peace) Teahouse, a Beijing neighborhood institution, during the decades of the early twentieth century. The setting is intimate and the atmosphere, action and themes, Dickensian. The play is adapted from Teahouse by Lao She (Shu Qingchun) Chinese original published in 1957. The original has been reduced from three acts, set over fifty years, with nearly seventy characters to a play in two acts set about twenty-five years apart with a cast of twenty (some multiple casting). It tries to reproduce as much as possible the characters and actions that Lao She created for a world of those living at the bottom edge of civility and into which corruption and exploitation roughly intrude. This is a world of the poor caught up in the spin-cycle of world historical change.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is the story of Shopkeeper Wang and the friends, the regulars, and the transients who visit the Yutai (Abundant Peace) Teahouse, a Beijing neighborhood institution, during the decades of the early twentieth century. The setting is intimate and the atmosphere, action and themes, Dickensian. The play is adapted from Teahouse by Lao She (Shu Qingchun) Chinese original published in 1957. The original has been reduced from three acts, set over fifty years, with nearly seventy characters to a play in two acts set about twenty-five years apart with a cast of twenty (some multiple casting). It tries to reproduce as much as possible the characters and actions that Lao She created for a world of those living at the bottom edge of civility and into which corruption and exploitation roughly intrude. This is a world of the poor caught up in the spin-cycle of world historical change.

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