| Author: | Jim Redmond, Jen Michalski, Cynthia Marie Hoffman | ISBN: | 1230000210851 |
| Publisher: | Baby Eat Books | Publication: | January 19, 2014 |
| Imprint: | Language: | English |
| Author: | Jim Redmond, Jen Michalski, Cynthia Marie Hoffman |
| ISBN: | 1230000210851 |
| Publisher: | Baby Eat Books |
| Publication: | January 19, 2014 |
| Imprint: | |
| Language: | English |
Volume three, issue two of the Heavy Feather Review literary journal.
Cover by Cristina Troufa.
Fiction by Miles Klee, Dan Mancilla, Jen Michalski, Timmy Reed, Matt Sailor, and Ben Segal. Poetry by Aaron Apps, J. Bradley, Sarah Elizabeth Colona, Rob Cook, Jeremy Griffin, Cynthia Marie Hoffman, Jeff Pearson, Jim Redmond, and Phillip Gregory Spotswood. Drama by Austin Bunn. Collages by Erin Case. Art by Jennifer Davis and Ron Rege, Jr.
Praise for Jim Redmond, featured chapbook contest winner:
“Jim Redmond’s poems are situated between the palm at the end of the mind and the parking lot of a now-gutted Midwestern Denny’s. Like the twisted portraiture of Francis Bacon or the whiskey-soaked lyrics of Tom Waits, Redmond’s poems revel in those dark, dank corners of our lives, the same ones that paradoxically, ultimately, and bravely reveal the most light. And such gritty and raw illumination also glints with the stuff of mystery—the estranging wonder that allows us, no matter the situation, to see the world anew.” —Noah Eli Gordon, author of The Year of the Rooster
Volume three, issue two of the Heavy Feather Review literary journal.
Cover by Cristina Troufa.
Fiction by Miles Klee, Dan Mancilla, Jen Michalski, Timmy Reed, Matt Sailor, and Ben Segal. Poetry by Aaron Apps, J. Bradley, Sarah Elizabeth Colona, Rob Cook, Jeremy Griffin, Cynthia Marie Hoffman, Jeff Pearson, Jim Redmond, and Phillip Gregory Spotswood. Drama by Austin Bunn. Collages by Erin Case. Art by Jennifer Davis and Ron Rege, Jr.
Praise for Jim Redmond, featured chapbook contest winner:
“Jim Redmond’s poems are situated between the palm at the end of the mind and the parking lot of a now-gutted Midwestern Denny’s. Like the twisted portraiture of Francis Bacon or the whiskey-soaked lyrics of Tom Waits, Redmond’s poems revel in those dark, dank corners of our lives, the same ones that paradoxically, ultimately, and bravely reveal the most light. And such gritty and raw illumination also glints with the stuff of mystery—the estranging wonder that allows us, no matter the situation, to see the world anew.” —Noah Eli Gordon, author of The Year of the Rooster
