Heidegger and the Romantics

The Literary Invention of Meaning

Fiction & Literature, Literary Theory & Criticism, European, German, Nonfiction, Religion & Spirituality, Philosophy, History, Criticism, & Surveys
Cover of the book Heidegger and the Romantics by Pol Vandevelde, Taylor and Francis
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Author: Pol Vandevelde ISBN: 9781136466632
Publisher: Taylor and Francis Publication: March 1, 2013
Imprint: Routledge Language: English
Author: Pol Vandevelde
ISBN: 9781136466632
Publisher: Taylor and Francis
Publication: March 1, 2013
Imprint: Routledge
Language: English

While there are many books on the romantics, and many books on Heidegger, there has been no book exploring the connection between the two. Pol Vandevelde’s new study forges this important link.

Vandevelde begins by analyzing two models that have addressed the interaction between literature and philosophy: early German romanticism (especially Schlegel and Novalis), and Heidegger’s work with poetry in the 1930s. Both models offer an alternative to the paradigm of mimesis, as exemplified by Aristotle’s and Plato’s discussion of poetry, and both German romanticism and Heidegger owe a deep debt to Plato. The study goes on to defend the view that Heidegger was influenced by romanticism. The author’s project is thus both historical, showing the specificity of the romantic and Heideggerean works, and systematic, defending aspects of their alternative mode of thinking while also pointing to their weaknesses.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

While there are many books on the romantics, and many books on Heidegger, there has been no book exploring the connection between the two. Pol Vandevelde’s new study forges this important link.

Vandevelde begins by analyzing two models that have addressed the interaction between literature and philosophy: early German romanticism (especially Schlegel and Novalis), and Heidegger’s work with poetry in the 1930s. Both models offer an alternative to the paradigm of mimesis, as exemplified by Aristotle’s and Plato’s discussion of poetry, and both German romanticism and Heidegger owe a deep debt to Plato. The study goes on to defend the view that Heidegger was influenced by romanticism. The author’s project is thus both historical, showing the specificity of the romantic and Heideggerean works, and systematic, defending aspects of their alternative mode of thinking while also pointing to their weaknesses.

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