Highlife Saturday Night

Popular Music and Social Change in Urban Ghana

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, History, Africa
Cover of the book Highlife Saturday Night by Nathan Plageman, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nathan Plageman ISBN: 9780253007339
Publisher: Indiana University Press Publication: December 19, 2012
Imprint: Indiana University Press Language: English
Author: Nathan Plageman
ISBN: 9780253007339
Publisher: Indiana University Press
Publication: December 19, 2012
Imprint: Indiana University Press
Language: English

Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana—when musicians took to the stage and dancers took to the floor—in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music’s emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana—when musicians took to the stage and dancers took to the floor—in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music’s emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.

More books from Indiana University Press

Cover of the book Truffaut on Cinema by Nathan Plageman
Cover of the book The Muslim Question and Russian Imperial Governance by Nathan Plageman
Cover of the book Sabertooth by Nathan Plageman
Cover of the book Boomer by Nathan Plageman
Cover of the book Sex Radical Cinema by Nathan Plageman
Cover of the book Expressive Intersections in Brahms by Nathan Plageman
Cover of the book Philanthropic Discourse in Anglo-American Literature, 1850-1920 by Nathan Plageman
Cover of the book Shatterzone of Empires by Nathan Plageman
Cover of the book Africa’s First Democrats by Nathan Plageman
Cover of the book Kierkegaard and Death by Nathan Plageman
Cover of the book Life and Death in Kolofata by Nathan Plageman
Cover of the book Earth Eats by Nathan Plageman
Cover of the book Popobawa by Nathan Plageman
Cover of the book Patterns of War—World War II by Nathan Plageman
Cover of the book Dinosaur Footprints and Trackways of La Rioja by Nathan Plageman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy