Historical Dictionary of African American Theater
Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
| Author: | Anthony D. Hill, Douglas Q. Barnett | ISBN: | 9780810862760 |
| Publisher: | Scarecrow Press | Publication: | December 4, 2008 |
| Imprint: | Scarecrow Press | Language: | English |
| Author: | Anthony D. Hill, Douglas Q. Barnett |
| ISBN: | 9780810862760 |
| Publisher: | Scarecrow Press |
| Publication: | December 4, 2008 |
| Imprint: | Scarecrow Press |
| Language: | English |
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The Historical Dictionary of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The Historical Dictionary of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
