Hokusai: 140 Prints
Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Printmaking, Art & Architecture, General Art
| Author: | Sonya Lonergan | ISBN: | 9782765904687 |
| Publisher: | Osmora Inc. | Publication: | October 1, 2014 |
| Imprint: | Osmora Inc. | Language: | English |
| Author: | Sonya Lonergan |
| ISBN: | 9782765904687 |
| Publisher: | Osmora Inc. |
| Publication: | October 1, 2014 |
| Imprint: | Osmora Inc. |
| Language: | English |
Katsushika Hokusai was a brilliant print maker, best known for his wood block print series Thirty-Six Views of Mount Fuji, which contain the prints The Great Wave and Fuji in Clear Weather. These prints are famous both in Japan and overseas, and have left a lasting image in the worldwide art world. Hokusai’s artistic influence has stretched to have affected the Art Nouveau style in Europe, including Claude Monet, Pierre-Auguste Renoir, and Hermann Obrist, all of whom have themes similar to Hokusai’s. He had a long career, but he produced most of his important work after age 60. The largest of Hokusai's works is the 15-volume collection Hokusai Manga, The final three volumes were published posthumously; two of them assembled by their publisher from previously unpublished material. At the age of 88, on his deathbed, it is said that he exclaimed that he needed only five more years of life, in order to become a real painter.
Katsushika Hokusai was a brilliant print maker, best known for his wood block print series Thirty-Six Views of Mount Fuji, which contain the prints The Great Wave and Fuji in Clear Weather. These prints are famous both in Japan and overseas, and have left a lasting image in the worldwide art world. Hokusai’s artistic influence has stretched to have affected the Art Nouveau style in Europe, including Claude Monet, Pierre-Auguste Renoir, and Hermann Obrist, all of whom have themes similar to Hokusai’s. He had a long career, but he produced most of his important work after age 60. The largest of Hokusai's works is the 15-volume collection Hokusai Manga, The final three volumes were published posthumously; two of them assembled by their publisher from previously unpublished material. At the age of 88, on his deathbed, it is said that he exclaimed that he needed only five more years of life, in order to become a real painter.
