Hymns to the Goddess

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Hymns to the Goddess by John Woodroffe (Arthur Avalon), Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Woodroffe (Arthur Avalon) ISBN: 9781465581129
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: John Woodroffe (Arthur Avalon)
ISBN: 9781465581129
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

THE Goddess or Devī (as the Hindus call Her) is God (as the Western worshippers address Him) in Its Mother aspect. The latter not uncommonly deem such attribution of feminine quality to be "heathenish"; but this condemnation (for the criticism has, of course, this intendment) is itself singularly foolish in that it is thereby implied that of two sets of terms (neither of which is in its strict sense applicable to the Deity as the of forms), one is, in fact, a more correct description than the other. In the Navaratneśvara it is said: "That Devī, who is existence, consciousness, and bliss, should be thought of as a female or as a male, or as pure Brahman. In reality, however, She is neither male nor neuter (that is to say, that She is not bound to any particular form)." No one contends that the Brahmatattva in the supreme abode beyond appearances is masculine as opposed to feminine, or the latter as contrasted with the former. Like all else in this matter, words are but the babbling endeavour of our plane to express that which is above it. It is not easy, then, to explain the condemnation except upon the assumption that those who pronounce it think their mother's sex to be inferior to their own, and that thus Deity is unworthily described by any other terms than those of masculine excellence. But Hindus, who ever place the name of mother before that of father, and to whom garbha dhāraapoābhyām pitur mātā gariyasi, have no partiality for such mistaken notions. On the other hand, it is possible that they might not understand the Christian expression "Mother of God," nor approve it even after they had learnt the limited and special sense which theology gives to this epithet. The Tāntrika would least of all admit the insufficiency of the conception of God as Mother. For the Devī manifests in his own mother, in his prakti (as he calls his wife), and in all women. As the Kubjikā Tantra says: "Whosoever has seen the feet of woman let him worship them as those of his guru" (Strinām pādatalam dritvāguruvadbhāvayet sadā). Whilst male and female are both Her aspects, yet Śakti is, in a sense, said to be more revealed in the female than in the male form. And so the Muamāla Tantra says: "Wherever there is a śaktī (female), there I am." On account of this greater manifestation, women are called Śakti. From this, however, it must not be supposed that Śakti is less present in such forms as Śiva and Ka and others. If, as the author of the Tantra Tattva says, a sādhaka who is a worshipper of the Kamūrti desires to see Him as Kālī, Bhagavān, who fulfils the desires of devotees, will assume that form. All forms come into existence upon the manifestation of consciousness in the play of Her whose substance is consciousness.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

THE Goddess or Devī (as the Hindus call Her) is God (as the Western worshippers address Him) in Its Mother aspect. The latter not uncommonly deem such attribution of feminine quality to be "heathenish"; but this condemnation (for the criticism has, of course, this intendment) is itself singularly foolish in that it is thereby implied that of two sets of terms (neither of which is in its strict sense applicable to the Deity as the of forms), one is, in fact, a more correct description than the other. In the Navaratneśvara it is said: "That Devī, who is existence, consciousness, and bliss, should be thought of as a female or as a male, or as pure Brahman. In reality, however, She is neither male nor neuter (that is to say, that She is not bound to any particular form)." No one contends that the Brahmatattva in the supreme abode beyond appearances is masculine as opposed to feminine, or the latter as contrasted with the former. Like all else in this matter, words are but the babbling endeavour of our plane to express that which is above it. It is not easy, then, to explain the condemnation except upon the assumption that those who pronounce it think their mother's sex to be inferior to their own, and that thus Deity is unworthily described by any other terms than those of masculine excellence. But Hindus, who ever place the name of mother before that of father, and to whom garbha dhāraapoābhyām pitur mātā gariyasi, have no partiality for such mistaken notions. On the other hand, it is possible that they might not understand the Christian expression "Mother of God," nor approve it even after they had learnt the limited and special sense which theology gives to this epithet. The Tāntrika would least of all admit the insufficiency of the conception of God as Mother. For the Devī manifests in his own mother, in his prakti (as he calls his wife), and in all women. As the Kubjikā Tantra says: "Whosoever has seen the feet of woman let him worship them as those of his guru" (Strinām pādatalam dritvāguruvadbhāvayet sadā). Whilst male and female are both Her aspects, yet Śakti is, in a sense, said to be more revealed in the female than in the male form. And so the Muamāla Tantra says: "Wherever there is a śaktī (female), there I am." On account of this greater manifestation, women are called Śakti. From this, however, it must not be supposed that Śakti is less present in such forms as Śiva and Ka and others. If, as the author of the Tantra Tattva says, a sādhaka who is a worshipper of the Kamūrti desires to see Him as Kālī, Bhagavān, who fulfils the desires of devotees, will assume that form. All forms come into existence upon the manifestation of consciousness in the play of Her whose substance is consciousness.

More books from Library of Alexandria

Cover of the book More Jataka Tales by John Woodroffe (Arthur Avalon)
Cover of the book Tales from the Fjeld: A Second Series of Popular Tales by John Woodroffe (Arthur Avalon)
Cover of the book A Letter to Hon. Charles Sumner, With 'Statements' of Outrages Upon Freedmen in Georgia by John Woodroffe (Arthur Avalon)
Cover of the book Buddha and Brahma by John Woodroffe (Arthur Avalon)
Cover of the book Humoresque: A Laugh on Life With a Tear Behind It by John Woodroffe (Arthur Avalon)
Cover of the book The Ghost in The White House by John Woodroffe (Arthur Avalon)
Cover of the book Jettatura by John Woodroffe (Arthur Avalon)
Cover of the book Los Cuatro Jinetes Del Apocalipsis by John Woodroffe (Arthur Avalon)
Cover of the book The Pearl: A Monthly Journal of Facetiæ and Voluptuous Reading (Complete) by John Woodroffe (Arthur Avalon)
Cover of the book Abraham Lincoln: Was He a Christian? by John Woodroffe (Arthur Avalon)
Cover of the book English and Scottish Ballads (Complete) by John Woodroffe (Arthur Avalon)
Cover of the book Ethnology of the Ungava District, Hudson Bay Territory by John Woodroffe (Arthur Avalon)
Cover of the book Astro-Diagnosis: A Guide to Healing by John Woodroffe (Arthur Avalon)
Cover of the book The Story of Extinct Civilizations of The West by John Woodroffe (Arthur Avalon)
Cover of the book Mediaeval Heresy and the Inquisition by John Woodroffe (Arthur Avalon)
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy