Immanence and Immersion

On the Acoustic Condition in Contemporary Art

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Entertainment, Music
Cover of the book Immanence and Immersion by Will Schrimshaw, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Will Schrimshaw ISBN: 9781501315879
Publisher: Bloomsbury Publishing Publication: October 19, 2017
Imprint: Bloomsbury Academic Language: English
Author: Will Schrimshaw
ISBN: 9781501315879
Publisher: Bloomsbury Publishing
Publication: October 19, 2017
Imprint: Bloomsbury Academic
Language: English

Immersion is the new orthodoxy. Within the production, curation and critique of sound art, as well as within the broader fields of sound studies and auditory culture, the immersive is routinely celebrated as an experiential quality of sound, the value of which is inherent yet strengthened through dubious metaphysical oppositions to the visual. Yet even within the visual arts an acoustic condition grounded in Marshall McLuhan's metaphorical notion of acoustic space underwrites predispositions towards immersion. This broad conception of an acoustic condition in contemporary art identifies the envelopment of audiences and spectators who no longer perceive from a distance but immanently experience immersive artworks and environments.

Immanence and Immersion takes a critical approach to the figures of immersion and interiority describing an acoustic condition in contemporary art. It is argued that a price paid for this predisposition towards immersion is often the conceptual potency and efficacy of the work undertaken, resulting in arguments that compound the marginalisation and disempowerment of practices and discourses concerned with the sonic. The variously phenomenological, correlational and mystical positions that support the predominance of the immersive are subject to critique before suggesting that a stronger distinction between the often confused concepts of immersion and the immanence might serve as a means of breaking with the figure of immersion and the circle of interiority towards attaining greater conceptual potency and epistemological efficacy within the sonic arts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Immersion is the new orthodoxy. Within the production, curation and critique of sound art, as well as within the broader fields of sound studies and auditory culture, the immersive is routinely celebrated as an experiential quality of sound, the value of which is inherent yet strengthened through dubious metaphysical oppositions to the visual. Yet even within the visual arts an acoustic condition grounded in Marshall McLuhan's metaphorical notion of acoustic space underwrites predispositions towards immersion. This broad conception of an acoustic condition in contemporary art identifies the envelopment of audiences and spectators who no longer perceive from a distance but immanently experience immersive artworks and environments.

Immanence and Immersion takes a critical approach to the figures of immersion and interiority describing an acoustic condition in contemporary art. It is argued that a price paid for this predisposition towards immersion is often the conceptual potency and efficacy of the work undertaken, resulting in arguments that compound the marginalisation and disempowerment of practices and discourses concerned with the sonic. The variously phenomenological, correlational and mystical positions that support the predominance of the immersive are subject to critique before suggesting that a stronger distinction between the often confused concepts of immersion and the immanence might serve as a means of breaking with the figure of immersion and the circle of interiority towards attaining greater conceptual potency and epistemological efficacy within the sonic arts.

More books from Bloomsbury Publishing

Cover of the book Stage Directions and Shakespearean Theatre by Will Schrimshaw
Cover of the book Sabotage Art by Will Schrimshaw
Cover of the book Geographers by Will Schrimshaw
Cover of the book European Standardisation of Services and its Impact on Private Law by Will Schrimshaw
Cover of the book Narrowboat Life by Will Schrimshaw
Cover of the book Along Came a Different by Will Schrimshaw
Cover of the book Nieuwpoort 1600 by Will Schrimshaw
Cover of the book M60 Main Battle Tank 1960–91 by Will Schrimshaw
Cover of the book Wood Plays: 2 by Will Schrimshaw
Cover of the book Euripides: Trojan Women by Will Schrimshaw
Cover of the book Terror Crime Prevention with Communities by Will Schrimshaw
Cover of the book Exposed by Will Schrimshaw
Cover of the book Creating Financial Value by Will Schrimshaw
Cover of the book Portraits and Miniatures by Will Schrimshaw
Cover of the book Educational Research by Will Schrimshaw
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy