Indians Playing Indian

Multiculturalism and Contemporary Indigenous Art in North America

Nonfiction, Art & Architecture, General Art, Art History, American
Cover of the book Indians Playing Indian by Monika Siebert, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Monika Siebert ISBN: 9780817387983
Publisher: University of Alabama Press Publication: February 27, 2015
Imprint: University Alabama Press Language: English
Author: Monika Siebert
ISBN: 9780817387983
Publisher: University of Alabama Press
Publication: February 27, 2015
Imprint: University Alabama Press
Language: English

Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as “Native Americans” complete the broader narrative of America as a refuge to the world’s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose American history has been not of immigration but of colonization.
 
Monika Siebert’s Indians Playing Indian first identifies this phenomenon as multicultural misrecognition, explains its sources in North American colonial history and in the political mandates of multiculturalism, and describes its consequences for contemporary indigenous cultural production. It then explores the responses of indigenous artists who take advantage of the ongoing popular interest in Native American culture and art while offering narratives of the political histories of their nations in order to resist multicultural incorporation.
 
Each chapter of Indians Playing Indian showcases a different medium of contemporary indigenous art—museum exhibition, cinema, digital fine art, sculpture, multimedia installation, and literary fiction—and explores specific rhetorical strategies artists deploy to forestall multicultural misrecognition and recover political meanings of indigeneity. The sites and artists discussed include the National Museum of the American Indian in Washington, DC; filmmakers at Inuit Isuma Productions; digital artists/photographers Dugan Aguilar, Pamela Shields, and Hulleah Tsinhnahjinnie; sculptor Jimmie Durham; and novelist LeAnne Howe.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as “Native Americans” complete the broader narrative of America as a refuge to the world’s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose American history has been not of immigration but of colonization.
 
Monika Siebert’s Indians Playing Indian first identifies this phenomenon as multicultural misrecognition, explains its sources in North American colonial history and in the political mandates of multiculturalism, and describes its consequences for contemporary indigenous cultural production. It then explores the responses of indigenous artists who take advantage of the ongoing popular interest in Native American culture and art while offering narratives of the political histories of their nations in order to resist multicultural incorporation.
 
Each chapter of Indians Playing Indian showcases a different medium of contemporary indigenous art—museum exhibition, cinema, digital fine art, sculpture, multimedia installation, and literary fiction—and explores specific rhetorical strategies artists deploy to forestall multicultural misrecognition and recover political meanings of indigeneity. The sites and artists discussed include the National Museum of the American Indian in Washington, DC; filmmakers at Inuit Isuma Productions; digital artists/photographers Dugan Aguilar, Pamela Shields, and Hulleah Tsinhnahjinnie; sculptor Jimmie Durham; and novelist LeAnne Howe.

More books from University of Alabama Press

Cover of the book Historic Indian Towns in Alabama, 1540-1838 by Monika Siebert
Cover of the book Norman Corwin and Radio by Monika Siebert
Cover of the book Contemporaries and Snobs by Monika Siebert
Cover of the book Crossing the Borders by Monika Siebert
Cover of the book Nancy Batson Crews by Monika Siebert
Cover of the book Patterson for Alabama by Monika Siebert
Cover of the book The Motherhood Business by Monika Siebert
Cover of the book Archaeologists as Activists by Monika Siebert
Cover of the book Theatre History Studies 2014, Vol. 33 by Monika Siebert
Cover of the book Connections after Colonialism by Monika Siebert
Cover of the book The Making Sense of Things by Monika Siebert
Cover of the book Service as Mandate by Monika Siebert
Cover of the book A Universal Theory of Pottery Production by Monika Siebert
Cover of the book Revelation Countdown by Monika Siebert
Cover of the book Rabbi Max Heller by Monika Siebert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy