Inside British Jazz

Crossing Borders of Race, Nation and Class

Nonfiction, Entertainment, Music
Cover of the book Inside British Jazz by Hilary Moore, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Hilary Moore ISBN: 9781351562744
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Hilary Moore
ISBN: 9781351562744
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Inside British Jazz explores specific historical moments in British jazz history and places special emphasis upon issues of race, nation and class. Topics covered include the reception of jazz in Britain in the 1910s and 1920s, the British New Orleans jazz revival of the 1950s, the free jazz innovations of the Joe Harriott Quintet in the early 1960s, and the formation of the all-black jazz band, the Jazz Warriors, in 1985. Using both historical and ethnographical approaches, Hilary Moore examines the ways in which jazz, an African-American music form, has been absorbed and translated within Britain's social, political and musical landscapes. Moore considers particularly the ways in which music has created a space of expression for British musicians, allowing them to re-imagine their place within Britain's social fabric, to participate in transcontinental communities, and to negotiate a position of belonging within jazz narratives of race, nation and class. The book also champions the importance of studying jazz beyond the borders of the United States and contributes to a growing body of literature that will enrich mainstream jazz scholarship.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Inside British Jazz explores specific historical moments in British jazz history and places special emphasis upon issues of race, nation and class. Topics covered include the reception of jazz in Britain in the 1910s and 1920s, the British New Orleans jazz revival of the 1950s, the free jazz innovations of the Joe Harriott Quintet in the early 1960s, and the formation of the all-black jazz band, the Jazz Warriors, in 1985. Using both historical and ethnographical approaches, Hilary Moore examines the ways in which jazz, an African-American music form, has been absorbed and translated within Britain's social, political and musical landscapes. Moore considers particularly the ways in which music has created a space of expression for British musicians, allowing them to re-imagine their place within Britain's social fabric, to participate in transcontinental communities, and to negotiate a position of belonging within jazz narratives of race, nation and class. The book also champions the importance of studying jazz beyond the borders of the United States and contributes to a growing body of literature that will enrich mainstream jazz scholarship.

More books from Taylor and Francis

Cover of the book George Eliot by Hilary Moore
Cover of the book Equality, Diversity and Opportunity Management by Hilary Moore
Cover of the book Christian Values in Communist China by Hilary Moore
Cover of the book Common Core Reading Lessons by Hilary Moore
Cover of the book Transnational Power Elites by Hilary Moore
Cover of the book Cultural Economics and Theory by Hilary Moore
Cover of the book National Testing in Schools by Hilary Moore
Cover of the book Substance Abuse by Hilary Moore
Cover of the book Men and Mothers by Hilary Moore
Cover of the book Biology of Freedom by Hilary Moore
Cover of the book Black Movements in America by Hilary Moore
Cover of the book Global Civilization by Hilary Moore
Cover of the book Giambattista Vico and the New Psychological Science by Hilary Moore
Cover of the book Neoliberal Legality by Hilary Moore
Cover of the book Industrial Society (Routledge Revivals) by Hilary Moore
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy