Jörg Breu the Elder

Art, Culture, and Belief in Reformation Augsburg

Nonfiction, Art & Architecture, General Art, Individual Artist, Artists, Architects & Photographers
Cover of the book Jörg Breu the Elder by Andrew Morrall, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrew Morrall ISBN: 9781351757195
Publisher: Taylor and Francis Publication: September 29, 2017
Imprint: Routledge Language: English
Author: Andrew Morrall
ISBN: 9781351757195
Publisher: Taylor and Francis
Publication: September 29, 2017
Imprint: Routledge
Language: English

This title was first published in 2002: Jörg Breu belonged to the generation of German Renaissance artists that included Dürer, Cranach, Grünewald, Altdorfer, and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras, which witnessed the transfer of creative energies from religious painting to secular and applied forms of art. In this wide ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jörg Breu's art and its reception, not just in his own period, but right up to the present day.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This title was first published in 2002: Jörg Breu belonged to the generation of German Renaissance artists that included Dürer, Cranach, Grünewald, Altdorfer, and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras, which witnessed the transfer of creative energies from religious painting to secular and applied forms of art. In this wide ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jörg Breu's art and its reception, not just in his own period, but right up to the present day.

More books from Taylor and Francis

Cover of the book Ideology by Andrew Morrall
Cover of the book Understanding Medicinal Plants by Andrew Morrall
Cover of the book A Nifflenoo Called Nevermind by Andrew Morrall
Cover of the book Symbolic Self Completion by Andrew Morrall
Cover of the book The 17th and 18th Centuries by Andrew Morrall
Cover of the book Territory and Terror by Andrew Morrall
Cover of the book Central Banking in a Democracy by Andrew Morrall
Cover of the book Security and Territoriality in the Persian Gulf by Andrew Morrall
Cover of the book Malayalam by Andrew Morrall
Cover of the book The Philosophy of Plato by Andrew Morrall
Cover of the book Urban Environmentalism by Andrew Morrall
Cover of the book Teaching English as a Second Language by Andrew Morrall
Cover of the book Americans on Fiction, 1776-1900 Volume 2 by Andrew Morrall
Cover of the book British Sport: a Bibliography to 2000 by Andrew Morrall
Cover of the book Constitution-making in Asia by Andrew Morrall
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy