| Author: | Benjamin Leopold Farjeon | ISBN: | 9781465612489 |
| Publisher: | Library of Alexandria | Publication: | March 8, 2015 |
| Imprint: | Language: | English |
| Author: | Benjamin Leopold Farjeon |
| ISBN: | 9781465612489 |
| Publisher: | Library of Alexandria |
| Publication: | March 8, 2015 |
| Imprint: | |
| Language: | English |
As my earliest remembrances are associated with my grandmother's wedding, it takes natural precedence here of all other matter. I was not there, of course, but I seem to see it through a mist, and I have a distinct impression of certain actors in the scene. These are: a smoke-dried monkey of a man in stone, my grandmother, my grandfather (whom I never saw in the flesh), and a man with a knob on the top of his head, making a meal off his finger-nails. Naturally, this man's head is bald. Naturally, this man's nails are eaten down to the quick. I am unable to state how I come to the knowledge of these details, but I know them, and am prepared to stand by them. Sitting, as I see myself, in a very low armchair--in which I am such an exact fit that when I rise it rises with me, much to my discomfort--I hear my grandmother say: 'He had a knob on the top of his head, and he was always eating his nails.' Then a solemn pause ensues, broken by my grandmother adding, in a dismal tone: 'And the last time I set eyes on him was on my wedding-day.' The words are addressed not so much to me as to the smoke-dried monkey of a man in stone, which had occupied the place of honour on the mantelpiece in my grandmother's house, and which she had brought with her as a precious relic--(Jane Painter, I remember, always called it a relict)--when she came to live with us. The head of this stone figure is loose, and wags upon the slightest provocation. When something falls in the room, when the door is slammed, when a person walks sharply towards it, when it is merely looked at I sometimes fancy. I am not prepossessed in its favour, and I regard it with uneasy feelings, as probably possessing a power for evil, like a malevolently-inclined idol. But my grandmother, for some mysterious reason, values it as a very precious possession, and sits staring dumbly at it for hours. I watch her and it until, in my imagination, its monkey-face begins to twitch and its monkey-lips to move. At a certain point of my watch, I fancy that its eyes roll and glare at me, and I cover mine with my hands to shut out the disturbing sight.
As my earliest remembrances are associated with my grandmother's wedding, it takes natural precedence here of all other matter. I was not there, of course, but I seem to see it through a mist, and I have a distinct impression of certain actors in the scene. These are: a smoke-dried monkey of a man in stone, my grandmother, my grandfather (whom I never saw in the flesh), and a man with a knob on the top of his head, making a meal off his finger-nails. Naturally, this man's head is bald. Naturally, this man's nails are eaten down to the quick. I am unable to state how I come to the knowledge of these details, but I know them, and am prepared to stand by them. Sitting, as I see myself, in a very low armchair--in which I am such an exact fit that when I rise it rises with me, much to my discomfort--I hear my grandmother say: 'He had a knob on the top of his head, and he was always eating his nails.' Then a solemn pause ensues, broken by my grandmother adding, in a dismal tone: 'And the last time I set eyes on him was on my wedding-day.' The words are addressed not so much to me as to the smoke-dried monkey of a man in stone, which had occupied the place of honour on the mantelpiece in my grandmother's house, and which she had brought with her as a precious relic--(Jane Painter, I remember, always called it a relict)--when she came to live with us. The head of this stone figure is loose, and wags upon the slightest provocation. When something falls in the room, when the door is slammed, when a person walks sharply towards it, when it is merely looked at I sometimes fancy. I am not prepossessed in its favour, and I regard it with uneasy feelings, as probably possessing a power for evil, like a malevolently-inclined idol. But my grandmother, for some mysterious reason, values it as a very precious possession, and sits staring dumbly at it for hours. I watch her and it until, in my imagination, its monkey-face begins to twitch and its monkey-lips to move. At a certain point of my watch, I fancy that its eyes roll and glare at me, and I cover mine with my hands to shut out the disturbing sight.
