John Constable: 226 Plates

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book John Constable: 226 Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892520523
Publisher: Maria Peitcheva Publication: November 22, 2015
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892520523
Publisher: Maria Peitcheva
Publication: November 22, 2015
Imprint:
Language: English

This Art Book with Foreword by Maria Peitcheva contains 226 selected color plates of drawings and paintings from John Constable.
John Constable was English painter, ranked with Turner as one of the greatest British landscape artists. Constable worked extensively in the open air, drawing and sketching, but his finished pictures were produced in the studio. Unlike many of his contemporaries Constable painted from nature rather than thinking up a composition in his minds eye prior to beginning a piece. He was excited by the prospect of ever changing nature and the way that no view ever looked the same from one day to the next. In England Constable had no real successor and the many imitators (who included his son Lionel) turned rather to the formal compositions than to the more direct sketches. In France, however, he was a major influence on Romantic painters such as Delacroix, on the members of the Barbizon School, and ultimately on the Impressionists.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This Art Book with Foreword by Maria Peitcheva contains 226 selected color plates of drawings and paintings from John Constable.
John Constable was English painter, ranked with Turner as one of the greatest British landscape artists. Constable worked extensively in the open air, drawing and sketching, but his finished pictures were produced in the studio. Unlike many of his contemporaries Constable painted from nature rather than thinking up a composition in his minds eye prior to beginning a piece. He was excited by the prospect of ever changing nature and the way that no view ever looked the same from one day to the next. In England Constable had no real successor and the many imitators (who included his son Lionel) turned rather to the formal compositions than to the more direct sketches. In France, however, he was a major influence on Romantic painters such as Delacroix, on the members of the Barbizon School, and ultimately on the Impressionists.

More books from Maria Peitcheva

Cover of the book Francois Boucher: 272 Plates by Maria Peitcheva
Cover of the book George Clausen: 192 Colour Plates by Maria Peitcheva
Cover of the book Egon Schiele: 195 Plates by Maria Peitcheva
Cover of the book Henry Fuseli: Drawings 136 Colour Plates by Maria Peitcheva
Cover of the book Giovanni Castiglione: 160 Colour Plates by Maria Peitcheva
Cover of the book Adolph Menzel: 185 Colour Plates by Maria Peitcheva
Cover of the book John Ottis Adams: Drawings Colour Plates by Maria Peitcheva
Cover of the book Arthur Davies: 195 Colour Plates by Maria Peitcheva
Cover of the book Delacroix: Drawings 145 Colour Plates by Maria Peitcheva
Cover of the book John W. Waterhouse: Drawings 98 Colour Plates by Maria Peitcheva
Cover of the book James Whistler: 305 Plates by Maria Peitcheva
Cover of the book Fragonard: Drawings Colour Plates by Maria Peitcheva
Cover of the book Juan Gris: 190 Colour Plates by Maria Peitcheva
Cover of the book Paul Gauguin: 235 Plates by Maria Peitcheva
Cover of the book Ingres: Drawings 150 Colour Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy