| Author: | Herman Melville | ISBN: | 1230002913841 |
| Publisher: | GOLDEN CLASSIC PRESS | Publication: | November 24, 2018 |
| Imprint: | Language: | English |
| Author: | Herman Melville |
| ISBN: | 1230002913841 |
| Publisher: | GOLDEN CLASSIC PRESS |
| Publication: | November 24, 2018 |
| Imprint: | |
| Language: | English |
*** Original and Unabridged Content. Made available by GOLDEN CLASSIC PRESS***
Synopsis:
Melville's verse printed for the most part privately in small editions from middle life onward after his great prose work had been written, taken as a whole, is of an amateurish and uneven quality. In it, however, that loveable freshness of personality, which his philosophical dejection never quenched, is everywhere in evidence. It is clear that he did not set himself to master the poet's art, yet through the mask of conventional verse which often falls into doggerel, the voice of a true poet is heard. In selecting the pieces for this volume I have put in the vigorous sea verses of John Marr in their entirety and added those others from his Battle Pieces, Timoleon, etc., that best indicate the quality of their author's personality. The prose supplement to battle pieces has been included because it does so much to explain the feeling of his war verse and further because it is such a remarkably wise and clear commentary upon those confused and troublous days of post-war reconstruction. H. C. O, not from memory lightly flung, Forgot, like strains no more availing, The heart to music haughtier strung; Nay, frequent near me, never staleing, Whose good feeling kept ye young. Like tides that enter creek or stream, Ye come, ye visit me, or seem Swimming out from seas of faces, Alien myriads memory traces, To enfold me in a dream!
*** Original and Unabridged Content. Made available by GOLDEN CLASSIC PRESS***
Synopsis:
Melville's verse printed for the most part privately in small editions from middle life onward after his great prose work had been written, taken as a whole, is of an amateurish and uneven quality. In it, however, that loveable freshness of personality, which his philosophical dejection never quenched, is everywhere in evidence. It is clear that he did not set himself to master the poet's art, yet through the mask of conventional verse which often falls into doggerel, the voice of a true poet is heard. In selecting the pieces for this volume I have put in the vigorous sea verses of John Marr in their entirety and added those others from his Battle Pieces, Timoleon, etc., that best indicate the quality of their author's personality. The prose supplement to battle pieces has been included because it does so much to explain the feeling of his war verse and further because it is such a remarkably wise and clear commentary upon those confused and troublous days of post-war reconstruction. H. C. O, not from memory lightly flung, Forgot, like strains no more availing, The heart to music haughtier strung; Nay, frequent near me, never staleing, Whose good feeling kept ye young. Like tides that enter creek or stream, Ye come, ye visit me, or seem Swimming out from seas of faces, Alien myriads memory traces, To enfold me in a dream!
