Jovinian: A Story of the Early Days of Papal Rome

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Jovinian: A Story of the Early Days of Papal Rome by William Henry Giles Kingston, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William Henry Giles Kingston ISBN: 9781465596628
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: William Henry Giles Kingston
ISBN: 9781465596628
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
The glorious sun rose in undimmed splendour on a morning in the early part of the fourth century over everlasting Rome, his rays glancing on countless temples, statues, columns, and towers, on long lines of aqueducts and other public edifices, and on the proud mansions of the patricians which covered the slopes and crowned the summits of her seven hills. The populace were already astir, bent on keeping holiday, for a grand festival was about to be held in honour of Jupiter Optimus Maximus and his two associate divinities Juno and Minerva. The flamens, with their assistants, and the vestal virgins, aided by many fair patrician matrons and maidens eager to show their piety and to gain the favour of the gods, had been labouring all night in decorating the temples; and already the porticoes and the interior columns appeared adorned with wreaths and festoons of green leaves and gay flowers; while wax tapers in silver candlesticks, on countless shrines, had been prepared for lighting at the appointed moment. At the entrance of each temple, either fixed in the wall or standing on a tripod, was an acquiminarium,—a basin of silver or gold, freshly filled to the brim with holy-water, with which salt had been united; a minor flamen in white robes, with brush in hand, standing ready to sprinkle any who might desire the purging process. Others of their fraternity were busy hanging up in the temples of Aesculapius votive offerings—in the shape of arms, legs, and other parts of the human body, representing the limbs of his worshippers, which by his powerful instrumentality had been restored to health. Bands of musicians with a variety of instruments, and dancers in scanty dresses, were moving about singing and playing, and exhibiting their terpsichorean performances before the temples and minor shrines erected at the corners of the principal highways. The fronts of the shrines were, like the temples, adorned with wreaths of flowers; while tapers, in horn lanterns, burned before them. Swarms also of mendicant priests, habited in coarse robes, with shaven crowns, and huge sacks at their backs, were parading the streets going from house to house begging for doles, and holding up small images of the gods to be adored by the ignorant populace; never failing to bestow their heaviest maledictions on those who refused them alms, cursing them as Christian atheists.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The glorious sun rose in undimmed splendour on a morning in the early part of the fourth century over everlasting Rome, his rays glancing on countless temples, statues, columns, and towers, on long lines of aqueducts and other public edifices, and on the proud mansions of the patricians which covered the slopes and crowned the summits of her seven hills. The populace were already astir, bent on keeping holiday, for a grand festival was about to be held in honour of Jupiter Optimus Maximus and his two associate divinities Juno and Minerva. The flamens, with their assistants, and the vestal virgins, aided by many fair patrician matrons and maidens eager to show their piety and to gain the favour of the gods, had been labouring all night in decorating the temples; and already the porticoes and the interior columns appeared adorned with wreaths and festoons of green leaves and gay flowers; while wax tapers in silver candlesticks, on countless shrines, had been prepared for lighting at the appointed moment. At the entrance of each temple, either fixed in the wall or standing on a tripod, was an acquiminarium,—a basin of silver or gold, freshly filled to the brim with holy-water, with which salt had been united; a minor flamen in white robes, with brush in hand, standing ready to sprinkle any who might desire the purging process. Others of their fraternity were busy hanging up in the temples of Aesculapius votive offerings—in the shape of arms, legs, and other parts of the human body, representing the limbs of his worshippers, which by his powerful instrumentality had been restored to health. Bands of musicians with a variety of instruments, and dancers in scanty dresses, were moving about singing and playing, and exhibiting their terpsichorean performances before the temples and minor shrines erected at the corners of the principal highways. The fronts of the shrines were, like the temples, adorned with wreaths of flowers; while tapers, in horn lanterns, burned before them. Swarms also of mendicant priests, habited in coarse robes, with shaven crowns, and huge sacks at their backs, were parading the streets going from house to house begging for doles, and holding up small images of the gods to be adored by the ignorant populace; never failing to bestow their heaviest maledictions on those who refused them alms, cursing them as Christian atheists.

More books from Library of Alexandria

Cover of the book Die natürliche Tochter by William Henry Giles Kingston
Cover of the book The Gentlemen's Book of Etiquette and Manual of Politeness Being a Complete Guide for a Gentleman's Conduct in All His Relations Towards Society by William Henry Giles Kingston
Cover of the book Tiranni minimi by William Henry Giles Kingston
Cover of the book Prayers of the Middle Ages: Light from a Thousand Years by William Henry Giles Kingston
Cover of the book The Rebel Chief: A Tale of Guerilla Life by William Henry Giles Kingston
Cover of the book The Gypsy's Parson: His Experiences and Adventures by William Henry Giles Kingston
Cover of the book Froth by William Henry Giles Kingston
Cover of the book The Spider by William Henry Giles Kingston
Cover of the book Philip Augustus: The Brothers in Arms by William Henry Giles Kingston
Cover of the book Monica: A Novel (Complete) by William Henry Giles Kingston
Cover of the book The Last Voyage to India and Australia in the Sunbeam by William Henry Giles Kingston
Cover of the book Voltareis ó Christo? by William Henry Giles Kingston
Cover of the book Letters to Dead Authors by William Henry Giles Kingston
Cover of the book The Royal Parchment Scroll of Black Supremacy by William Henry Giles Kingston
Cover of the book Bournemouth, Poole & Christchurch by William Henry Giles Kingston
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy