King Lear in Brooklyn

Fiction & Literature, Literary Theory & Criticism, British, Biography & Memoir, Literary
Cover of the book King Lear in Brooklyn by Michael Pennington, Oberon Books
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Author: Michael Pennington ISBN: 9781783197385
Publisher: Oberon Books Publication: April 29, 2016
Imprint: Oberon Books Language: English
Author: Michael Pennington
ISBN: 9781783197385
Publisher: Oberon Books
Publication: April 29, 2016
Imprint: Oberon Books
Language: English

What is King Lear really thinking? What has made his daughters what they are? What does his mysterious Fool dream about? What really lies behind the familiar lines of Shakespeare’s great tragedy?

Michael Pennington appeared triumphantly as King Lear in New York in 2014 and repeats the part in a major UK tour in 2016. As well as giving an enthralling account of the circumstances and fortunes of the New York production, he dispels the idea of this great play as something forbidding and remote by bringing its characters vividly into the present in their contemporary voices to explain their reactions, strategies, struggles and setbacks.

This counterpoint of Shakespeare’s play seen from this point of view with the earthly story of the actor working in Brooklyn with real people is uncanny and beautiful. Pennington’s account is also funny, highly personal and deeply illuminating, both honest and scholarly. Invaluable for theatre practitioners, theatregoers and all lovers of Shakespeare, KING LEAR IN BROOKLYN is the work of one of our very finest actor-writers at the top of his game.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What is King Lear really thinking? What has made his daughters what they are? What does his mysterious Fool dream about? What really lies behind the familiar lines of Shakespeare’s great tragedy?

Michael Pennington appeared triumphantly as King Lear in New York in 2014 and repeats the part in a major UK tour in 2016. As well as giving an enthralling account of the circumstances and fortunes of the New York production, he dispels the idea of this great play as something forbidding and remote by bringing its characters vividly into the present in their contemporary voices to explain their reactions, strategies, struggles and setbacks.

This counterpoint of Shakespeare’s play seen from this point of view with the earthly story of the actor working in Brooklyn with real people is uncanny and beautiful. Pennington’s account is also funny, highly personal and deeply illuminating, both honest and scholarly. Invaluable for theatre practitioners, theatregoers and all lovers of Shakespeare, KING LEAR IN BROOKLYN is the work of one of our very finest actor-writers at the top of his game.

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