Las Vegas Elvis Presley
Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
| Author: | Thomas Chi | ISBN: | 9781466113398 |
| Publisher: | Thomas Chi | Publication: | October 26, 2011 |
| Imprint: | Smashwords Edition | Language: | English |
| Author: | Thomas Chi |
| ISBN: | 9781466113398 |
| Publisher: | Thomas Chi |
| Publication: | October 26, 2011 |
| Imprint: | Smashwords Edition |
| Language: | English |
Publisher Thomas Chi returned to Memphis six months each year to interview for the Elvis book. He spent more time in Las Vegas, Nevada interviewing Elvis's girlfriends, lovers, and the dancers with stories about Elvis. Listen to the stories about Elvis. Travel the Blues Highway from New Orleans to Memphis.
Thomas Chi writes about Jazz along the Blues Highway from New Orleans to Chicago. Listen to the sounds of Louis Armstrong in New Orleans; All music is folk music. I ain't never heard a horse sing a song. If you have to ask what jazz is, you'll never know. Musicians don't retire; they stop when there's no more music in them. The memory of things gone is important to a jazz musician. There are some people that if they don't know, you can't tell them. There is two kinds of music, the good, and the bad. I play the good kind. We all do 'do, re, mi,' but you have got to find the other notes yourself. What we play is life. Author Thomas Chi has interviewed bands around the world.
Publisher Thomas Chi returned to Memphis six months each year to interview for the Elvis book. He spent more time in Las Vegas, Nevada interviewing Elvis's girlfriends, lovers, and the dancers with stories about Elvis. Listen to the stories about Elvis. Travel the Blues Highway from New Orleans to Memphis.
Thomas Chi writes about Jazz along the Blues Highway from New Orleans to Chicago. Listen to the sounds of Louis Armstrong in New Orleans; All music is folk music. I ain't never heard a horse sing a song. If you have to ask what jazz is, you'll never know. Musicians don't retire; they stop when there's no more music in them. The memory of things gone is important to a jazz musician. There are some people that if they don't know, you can't tell them. There is two kinds of music, the good, and the bad. I play the good kind. We all do 'do, re, mi,' but you have got to find the other notes yourself. What we play is life. Author Thomas Chi has interviewed bands around the world.
