LEONARDO DA VINCI THOUGHTS ON ART AND LIFE, (The humanists' library, ed. by Lewis Einstein)

Fiction & Literature, Classics, Historical
Cover of the book LEONARDO DA VINCI THOUGHTS ON ART AND LIFE, (The humanists' library, ed. by Lewis Einstein) by LEONARDO DA VINCI, Lewis Einstein, IDJ Classics Publishing
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Author: LEONARDO DA VINCI, Lewis Einstein ISBN: 1230000033400
Publisher: IDJ Classics Publishing Publication: November 22, 2012
Imprint: Language: English
Author: LEONARDO DA VINCI, Lewis Einstein
ISBN: 1230000033400
Publisher: IDJ Classics Publishing
Publication: November 22, 2012
Imprint:
Language: English

The long obscurity of the Dark Ages lifted over Italy, awakening to a national though a divided consciousness. Already two distinct tendencies were apparent. The practical and rational, on the one hand, was soon to be outwardly reflected in the burgher-life of Florence and the Lombard cities, while at Rome it had even then created the civil organization of the curia. The novella was its literary triumph. In art it expressed itself simply, directly and with vigour. Opposed to this was the other great undercurrent in Italian life, mystical, religious and speculative, which had run through the nation from the earliest times, and received fresh volume from mediaeval Christianity, encouraging ecstatic mysticism to drive to frenzy the population of its mountain cities. Umbrian painting is inspired by it, and the glowing words of Jacopone da Todi expressed in poetry the same religious fervour which the life of Florence and Perugia bore witness to in action.

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The long obscurity of the Dark Ages lifted over Italy, awakening to a national though a divided consciousness. Already two distinct tendencies were apparent. The practical and rational, on the one hand, was soon to be outwardly reflected in the burgher-life of Florence and the Lombard cities, while at Rome it had even then created the civil organization of the curia. The novella was its literary triumph. In art it expressed itself simply, directly and with vigour. Opposed to this was the other great undercurrent in Italian life, mystical, religious and speculative, which had run through the nation from the earliest times, and received fresh volume from mediaeval Christianity, encouraging ecstatic mysticism to drive to frenzy the population of its mountain cities. Umbrian painting is inspired by it, and the glowing words of Jacopone da Todi expressed in poetry the same religious fervour which the life of Florence and Perugia bore witness to in action.

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