Lightspeed Magazine, March 2011

Science Fiction & Fantasy, Space Opera, Fiction & Literature, Short Stories, Fantasy
Cover of the book Lightspeed Magazine, March 2011 by John Joseph Adams, Stephen Baxter, Nnedi Okorafor, John Joseph Adams
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Author: John Joseph Adams, Stephen Baxter, Nnedi Okorafor ISBN: 1230000019324
Publisher: John Joseph Adams Publication: September 23, 2012
Imprint: Language: English
Author: John Joseph Adams, Stephen Baxter, Nnedi Okorafor
ISBN: 1230000019324
Publisher: John Joseph Adams
Publication: September 23, 2012
Imprint:
Language: English

In “Saying the Names,” debut author Maggie Clark gives us the story of a woman hired to navigate the sticky legal system of a complicated alien race, and her own equally sticky relationship with the defendant.

“Gossamer” by Stephen Baxter takes us to Pluto and Charon, tidally-locked in their mutual orbit. A team briefly stranded there discovers that timing is everything, and that the relationship between the two worlds is more complicated than anyone had guessed. (Reprint)

In “Spider the Artist,” Nnedi Okorafor takes us to Nigeria of the future, where Big Oil protects the pipelines with spider-like AIs known as zombies, and tells the tale of a woman who faces down one of the murderous machines armed only with a guitar. (Reprint)

“Woman Leaves Room” by Robert Reed gives us a view of immortality, forgotten files, and perhaps a reminder to be awake for the parts of life that matter.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In “Saying the Names,” debut author Maggie Clark gives us the story of a woman hired to navigate the sticky legal system of a complicated alien race, and her own equally sticky relationship with the defendant.

“Gossamer” by Stephen Baxter takes us to Pluto and Charon, tidally-locked in their mutual orbit. A team briefly stranded there discovers that timing is everything, and that the relationship between the two worlds is more complicated than anyone had guessed. (Reprint)

In “Spider the Artist,” Nnedi Okorafor takes us to Nigeria of the future, where Big Oil protects the pipelines with spider-like AIs known as zombies, and tells the tale of a woman who faces down one of the murderous machines armed only with a guitar. (Reprint)

“Woman Leaves Room” by Robert Reed gives us a view of immortality, forgotten files, and perhaps a reminder to be awake for the parts of life that matter.

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