Lijiang Stories

Shamans, Taxi Drivers, and Runaway Brides in Reform-Era China

Nonfiction, Social & Cultural Studies, Social Science, Anthropology, Political Science, International
Cover of the book Lijiang Stories by Emily Chao, University of Washington Press
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Author: Emily Chao ISBN: 9780295804385
Publisher: University of Washington Press Publication: May 15, 2013
Imprint: University of Washington Press Language: English
Author: Emily Chao
ISBN: 9780295804385
Publisher: University of Washington Press
Publication: May 15, 2013
Imprint: University of Washington Press
Language: English

Lijiang, a once-sleepy market town in southwest China, has become a magnet for tourism since the mid-1990s. Drawing on stories about taxi drivers, reluctant brides, dogmeat, and shamanism, Emily Chao illustrates how biopolitics and the essentialization of difference shape the ways in which Naxi residents represent and interpret their social world.

The vignettes presented here are lively examples of the cultural reverberations that have occurred throughout contemporary China in the wake of its emergence as a global giant. With particular attention to the politics of gender, ethnicity, and historical representation, Chao reveals how citizens strategically imagine, produce, and critique a new moral economy in which the market and neoliberal logic are preeminent.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Lijiang, a once-sleepy market town in southwest China, has become a magnet for tourism since the mid-1990s. Drawing on stories about taxi drivers, reluctant brides, dogmeat, and shamanism, Emily Chao illustrates how biopolitics and the essentialization of difference shape the ways in which Naxi residents represent and interpret their social world.

The vignettes presented here are lively examples of the cultural reverberations that have occurred throughout contemporary China in the wake of its emergence as a global giant. With particular attention to the politics of gender, ethnicity, and historical representation, Chao reveals how citizens strategically imagine, produce, and critique a new moral economy in which the market and neoliberal logic are preeminent.

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