Lives of the Novelists

Nonfiction, Entertainment, Drama, Anthologies, Fiction & Literature, Literary Theory & Criticism
Cover of the book Lives of the Novelists by Carl Rollyson, iUniverse
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Author: Carl Rollyson ISBN: 9780595815920
Publisher: iUniverse Publication: October 21, 2005
Imprint: iUniverse Language: English
Author: Carl Rollyson
ISBN: 9780595815920
Publisher: iUniverse
Publication: October 21, 2005
Imprint: iUniverse
Language: English

Is there a right way to write a literary life? In this collection of columns from the New York Sun, Carl Rollyson explores the relationship between narrative and literary analysis. Should biographies be written in the style and form of novels? How to balance the life and the work? How much literary criticism can a biography absorb into its narrative?

Rollyson proposes a number of apologias for biography-including the thought that in the right hands the literary biography is a continuation of the writer's work and life. In such instances there seems to be a symbiosis between biographer and subject. In other cases, biographies spearhead the rediscovery of important writers. He rejects the idea that literary figures are not good subjects for biography because they are not men and women of action. That literary biography is a kind of strip mining, a pathography laying bare the subject's life to no good purpose is another canard this book demolishes.

The pieces here also expose the genre's weak points: a proclivity for overstatement and excessive length, the failure of biographers to build upon their predecessors' work (Rollyson invents a term-biographology-in order to discuss the biographical tradition).

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Is there a right way to write a literary life? In this collection of columns from the New York Sun, Carl Rollyson explores the relationship between narrative and literary analysis. Should biographies be written in the style and form of novels? How to balance the life and the work? How much literary criticism can a biography absorb into its narrative?

Rollyson proposes a number of apologias for biography-including the thought that in the right hands the literary biography is a continuation of the writer's work and life. In such instances there seems to be a symbiosis between biographer and subject. In other cases, biographies spearhead the rediscovery of important writers. He rejects the idea that literary figures are not good subjects for biography because they are not men and women of action. That literary biography is a kind of strip mining, a pathography laying bare the subject's life to no good purpose is another canard this book demolishes.

The pieces here also expose the genre's weak points: a proclivity for overstatement and excessive length, the failure of biographers to build upon their predecessors' work (Rollyson invents a term-biographology-in order to discuss the biographical tradition).

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