Lost and Othered Children in Contemporary Cinema

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science
Cover of the book Lost and Othered Children in Contemporary Cinema by Sage Leslie-McCarthy, Jayne Steel, Stella M. Hockenhull, Adrian Schober, Sarah E. S. Sinwell, Nicole Beth Wallenbrock, Christine Singer, Lindiwe Dovey, Kiu-wai Chu, Gilles Chamerois, Carolyn Salvi, Christian Stewen, Fran Hassencahl, Lexington Books
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Author: Sage Leslie-McCarthy, Jayne Steel, Stella M. Hockenhull, Adrian Schober, Sarah E. S. Sinwell, Nicole Beth Wallenbrock, Christine Singer, Lindiwe Dovey, Kiu-wai Chu, Gilles Chamerois, Carolyn Salvi, Christian Stewen, Fran Hassencahl ISBN: 9780739170267
Publisher: Lexington Books Publication: May 18, 2012
Imprint: Lexington Books Language: English
Author: Sage Leslie-McCarthy, Jayne Steel, Stella M. Hockenhull, Adrian Schober, Sarah E. S. Sinwell, Nicole Beth Wallenbrock, Christine Singer, Lindiwe Dovey, Kiu-wai Chu, Gilles Chamerois, Carolyn Salvi, Christian Stewen, Fran Hassencahl
ISBN: 9780739170267
Publisher: Lexington Books
Publication: May 18, 2012
Imprint: Lexington Books
Language: English

Children have been a part of the cinematic landscape since the silent film era, yet children are rarely a part of the theoretical landscape of film analysis. Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, seeks to remedy that oversight. Throughout the over one-hundred year history of cinema, the image of the child has been inextricably bound to filmic storytelling and has been equally bound to notions of romantic innocence and purity. This collection reveals, however, that there is a body of work that provides a counter note of darkness to the traditional portraits of sweetness and light. Particularly since the mid-twentieth century, there are a growing number of cinematic works that depict childhood has as a site of knowingness, despair, sexuality, death, and madness. Lost and Othered Children in Contemporary Cinema challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts.

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Children have been a part of the cinematic landscape since the silent film era, yet children are rarely a part of the theoretical landscape of film analysis. Lost and Othered Children in Contemporary Cinema, edited by Debbie C. Olson and Andrew Scahill, seeks to remedy that oversight. Throughout the over one-hundred year history of cinema, the image of the child has been inextricably bound to filmic storytelling and has been equally bound to notions of romantic innocence and purity. This collection reveals, however, that there is a body of work that provides a counter note of darkness to the traditional portraits of sweetness and light. Particularly since the mid-twentieth century, there are a growing number of cinematic works that depict childhood has as a site of knowingness, despair, sexuality, death, and madness. Lost and Othered Children in Contemporary Cinema challenges notions of the innocent child through an exploration of the dark side of childhood in contemporary cinema. The contributors to this multidisciplinary study offer a global perspective that explores the multiple conditions of marginalized childhood as cinematically imagined within political, geographical, sociological, and cultural contexts.

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