Love in the Post: From Plato to Derrida

The Screenplay and Commentary

Fiction & Literature, Literary Theory & Criticism, French, European, Nonfiction, Religion & Spirituality, Philosophy, Aesthetics
Cover of the book Love in the Post: From Plato to Derrida by Martin McQuillan, Joanna Callaghan, Rowman & Littlefield International
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Author: Martin McQuillan, Joanna Callaghan ISBN: 9781783480067
Publisher: Rowman & Littlefield International Publication: October 3, 2014
Imprint: Rowman & Littlefield International Language: English
Author: Martin McQuillan, Joanna Callaghan
ISBN: 9781783480067
Publisher: Rowman & Littlefield International
Publication: October 3, 2014
Imprint: Rowman & Littlefield International
Language: English

Love in the Post (2013) is inspired by Jacques Derrida’s book The Post Card. Like the book, the film plays with fact and fiction, weaving together the stories of a scholar of literature and a film director, alongside insights from critics and philosophers.

Theo Marks works in a university department that is soon to be closed. His wife Sophie, enigmatic and distant, is in analysis. Filmmaker Joanna struggles to make a film about The Post Card. These people are set on a collision course prompted by a series of letters that will change their lives.

The film features a never before seen interview with Derrida, alongside contributions from Geoff Bennington, Ellen Burt, Catherin Malabou, J. Hillis Miller and Samuel Weber.

Alongside the original screenplay, Martin McQuillan provides an extended commentary on Derrida’s original text, the film and its making. Joanna Callaghan reflects on her practice as a filmmaker and her engagement with philosophy as a director. The volume concludes with interviews between McQuillan and five leading Derrida scholars.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Love in the Post (2013) is inspired by Jacques Derrida’s book The Post Card. Like the book, the film plays with fact and fiction, weaving together the stories of a scholar of literature and a film director, alongside insights from critics and philosophers.

Theo Marks works in a university department that is soon to be closed. His wife Sophie, enigmatic and distant, is in analysis. Filmmaker Joanna struggles to make a film about The Post Card. These people are set on a collision course prompted by a series of letters that will change their lives.

The film features a never before seen interview with Derrida, alongside contributions from Geoff Bennington, Ellen Burt, Catherin Malabou, J. Hillis Miller and Samuel Weber.

Alongside the original screenplay, Martin McQuillan provides an extended commentary on Derrida’s original text, the film and its making. Joanna Callaghan reflects on her practice as a filmmaker and her engagement with philosophy as a director. The volume concludes with interviews between McQuillan and five leading Derrida scholars.

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