Luigi Dallapiccola and Musical Modernism in Fascist Italy

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Classical, History
Cover of the book Luigi Dallapiccola and Musical Modernism in Fascist Italy by Ben Earle, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ben Earle ISBN: 9781107423732
Publisher: Cambridge University Press Publication: August 15, 2013
Imprint: Cambridge University Press Language: English
Author: Ben Earle
ISBN: 9781107423732
Publisher: Cambridge University Press
Publication: August 15, 2013
Imprint: Cambridge University Press
Language: English

Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.

More books from Cambridge University Press

Cover of the book Cognitive Neuroscience of Natural Language Use by Ben Earle
Cover of the book Medieval Heresies by Ben Earle
Cover of the book Economic Change in Modern Indonesia by Ben Earle
Cover of the book Organizing Entrepreneurial Judgment by Ben Earle
Cover of the book Pragmatics by Ben Earle
Cover of the book Legal Authority beyond the State by Ben Earle
Cover of the book Elements of Moral Cognition by Ben Earle
Cover of the book Chemical Product Design by Ben Earle
Cover of the book Above Politics by Ben Earle
Cover of the book Peasants, Citizens and Soldiers by Ben Earle
Cover of the book Enhancing the Quality of Learning by Ben Earle
Cover of the book Colonial Relations by Ben Earle
Cover of the book Judgment under Uncertainty by Ben Earle
Cover of the book Dimensions of Politics and English Jurisprudence by Ben Earle
Cover of the book Macroeconomics for MBAs and Masters of Finance by Ben Earle
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy