Marietta: a Maid of Venice

Fiction & Literature, Classics
Cover of the book Marietta: a Maid of Venice by F. Marion Crawford, B&R Samizdat Express
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: F. Marion Crawford ISBN: 9781455315918
Publisher: B&R Samizdat Express Publication: December 15, 2009
Imprint: Language: English
Author: F. Marion Crawford
ISBN: 9781455315918
Publisher: B&R Samizdat Express
Publication: December 15, 2009
Imprint:
Language: English
According to Wikipedia: "Francis Marion Crawford (August 2, 1854 - April 9, 1909) was an American writer noted for his many novels… ear by year Crawford published a number of successful novels. He also published the historical works, Ave Roma Immortalis (1898), Rulers of the South (1900) renamed Sicily, Calabria and Malta in 1904, and Gleanings from Venetian History (1905). In these his intimate knowledge of local Italian history combines with the romanticist's imaginative faculty to excellent effect. After most of his fictional works had been published, most came to think he was a gifted narrator, and his books of fiction, full of historic vitality and dramatic characterization, became widely popular among readers to whom the realism of problems or the eccentricities of subjective analysis were repellent. In The Novel: What It Is (1893), he defended his literary approach, self-conceived as a combination of romanticism and realism, defining the art form in terms of its marketplace and audience. The novel, he wrote, is "a marketable commodity" and "intellectual artistic luxury" (8, 9) that "must amuse, indeed, but should amuse reasonably, from an intellectual point of view. . . . Its intention is to amuse and please, and certainly not to teach and preach; but in order to amuse well it must be a finely-balanced creation. . . ." The Saracinesca series is perhaps known to be his best work, with the third in the series, Don Orsino, set against the background of a real estate bubble, told with effective concision. A fourth book in the series, Corleone, was the first major treatment of the Mafia in literature, and used the now-familiar but then-original device of a priest unable to testify to a crime because of the Seal of the Confessional; the novel nevertheless failed to live up to the standard set by the books earlier in the series. Crawford himself was fondest of Khaled: A Tale of Arabia, a story of a genie (genius is Crawford's word) who becomes human..."
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
According to Wikipedia: "Francis Marion Crawford (August 2, 1854 - April 9, 1909) was an American writer noted for his many novels… ear by year Crawford published a number of successful novels. He also published the historical works, Ave Roma Immortalis (1898), Rulers of the South (1900) renamed Sicily, Calabria and Malta in 1904, and Gleanings from Venetian History (1905). In these his intimate knowledge of local Italian history combines with the romanticist's imaginative faculty to excellent effect. After most of his fictional works had been published, most came to think he was a gifted narrator, and his books of fiction, full of historic vitality and dramatic characterization, became widely popular among readers to whom the realism of problems or the eccentricities of subjective analysis were repellent. In The Novel: What It Is (1893), he defended his literary approach, self-conceived as a combination of romanticism and realism, defining the art form in terms of its marketplace and audience. The novel, he wrote, is "a marketable commodity" and "intellectual artistic luxury" (8, 9) that "must amuse, indeed, but should amuse reasonably, from an intellectual point of view. . . . Its intention is to amuse and please, and certainly not to teach and preach; but in order to amuse well it must be a finely-balanced creation. . . ." The Saracinesca series is perhaps known to be his best work, with the third in the series, Don Orsino, set against the background of a real estate bubble, told with effective concision. A fourth book in the series, Corleone, was the first major treatment of the Mafia in literature, and used the now-familiar but then-original device of a priest unable to testify to a crime because of the Seal of the Confessional; the novel nevertheless failed to live up to the standard set by the books earlier in the series. Crawford himself was fondest of Khaled: A Tale of Arabia, a story of a genie (genius is Crawford's word) who becomes human..."

More books from B&R Samizdat Express

Cover of the book The Powder Monkey by F. Marion Crawford
Cover of the book The White Chief, a legend of Northern Mexico by F. Marion Crawford
Cover of the book Breakfast Dainties (1885) by F. Marion Crawford
Cover of the book Frederick the Great and His Court, an historical romance by F. Marion Crawford
Cover of the book Historias Sem Data by F. Marion Crawford
Cover of the book A Woman Intervenes by F. Marion Crawford
Cover of the book The Healthy Life Cook Book (1915) by F. Marion Crawford
Cover of the book Luther and the Reformation: The Life-Springs of Our Liberties by F. Marion Crawford
Cover of the book Aunt Jane's Nieces on Vacation by F. Marion Crawford
Cover of the book Works of Jonathan Edwards, volume 2 of 2: by F. Marion Crawford
Cover of the book Old Lady Mary, A Story of the Seen and the Unseen by F. Marion Crawford
Cover of the book Symphonies and Their Meaning: Third Series: Modern Symphonies by F. Marion Crawford
Cover of the book Die Naturliche Tochter, Trauerspiel (in the original German) by F. Marion Crawford
Cover of the book The Peril Finders by F. Marion Crawford
Cover of the book For the Master's Sake by F. Marion Crawford
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy