Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada

Rhetorics of Masculinity in the Age of the Armada

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada by Alan Shepard, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alan Shepard ISBN: 9781351753746
Publisher: Taylor and Francis Publication: February 6, 2018
Imprint: Routledge Language: English
Author: Alan Shepard
ISBN: 9781351753746
Publisher: Taylor and Francis
Publication: February 6, 2018
Imprint: Routledge
Language: English

This title was first published in 2002: In the topsy-turvy 1580s and 1590s, as the episodic Anglo-Spanish war became the greatest threat to "English" security since circa 1066, Marlowe rose up in the London theatres like some Phaeton of the entertainment industry, taking war itself as a central subject of his art. This book reads his plays - especially "Tamburlaine", "Edward II", "The Massacre at Paris", and "Doctor Faustus" - as part of a bright new conversation then taking place in London about the nature of state security and martial law, the decorum of playing "the soldier" on stage, the rhetoric of warfever, and the necessity for draconian prescriptions about English manhood. Those public conversations, spilling out of Whitehall, the church pulpits, and the pubs, took center stage during the few years the playwright worked in London. The author argues that the Marlowe plays wrestle with the philosophical assumptions about the nature of war and the role and status of soldiers in English culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This title was first published in 2002: In the topsy-turvy 1580s and 1590s, as the episodic Anglo-Spanish war became the greatest threat to "English" security since circa 1066, Marlowe rose up in the London theatres like some Phaeton of the entertainment industry, taking war itself as a central subject of his art. This book reads his plays - especially "Tamburlaine", "Edward II", "The Massacre at Paris", and "Doctor Faustus" - as part of a bright new conversation then taking place in London about the nature of state security and martial law, the decorum of playing "the soldier" on stage, the rhetoric of warfever, and the necessity for draconian prescriptions about English manhood. Those public conversations, spilling out of Whitehall, the church pulpits, and the pubs, took center stage during the few years the playwright worked in London. The author argues that the Marlowe plays wrestle with the philosophical assumptions about the nature of war and the role and status of soldiers in English culture.

More books from Taylor and Francis

Cover of the book Stuart Hall by Alan Shepard
Cover of the book Economic Arithmetic by Alan Shepard
Cover of the book Cyber Society, Big Data, and Evaluation by Alan Shepard
Cover of the book Fundamentals of Educational Research by Alan Shepard
Cover of the book The Impact of Joint Ventures on Bidding for Offshore Oil by Alan Shepard
Cover of the book Warfare in Japan by Alan Shepard
Cover of the book Street Entrepreneurs by Alan Shepard
Cover of the book Child Therapy in the Great Outdoors by Alan Shepard
Cover of the book The TUC and Education Reform, 1926-1970 by Alan Shepard
Cover of the book The World of Theatre by Alan Shepard
Cover of the book Education, Epistemology and Critical Realism by Alan Shepard
Cover of the book Sacred and Secular Tensions in Higher Education by Alan Shepard
Cover of the book Education in Early Childhood by Alan Shepard
Cover of the book Aboriginal Peoples, Colonialism and International Law by Alan Shepard
Cover of the book Configurations of Family in Contemporary Japan by Alan Shepard
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy