Masters of the Grotesque

The Cinema of Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book Masters of the Grotesque by Schuy R. Weishaar, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Schuy R. Weishaar ISBN: 9781476600604
Publisher: McFarland & Company, Inc., Publishers Publication: October 16, 2012
Imprint: Language: English
Author: Schuy R. Weishaar
ISBN: 9781476600604
Publisher: McFarland & Company, Inc., Publishers
Publication: October 16, 2012
Imprint:
Language: English

The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre—the auteur and the genre filmmaker—a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre—the auteur and the genre filmmaker—a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.

More books from McFarland & Company, Inc., Publishers

Cover of the book Jeanne Devereaux, Prima Ballerina of Vaudeville and Broadway by Schuy R. Weishaar
Cover of the book Police Violence in America, 1869-1920 by Schuy R. Weishaar
Cover of the book Ken Follett and the Triumph of Suspense by Schuy R. Weishaar
Cover of the book Hub Perdue by Schuy R. Weishaar
Cover of the book Japanese Film and the Floating Mind by Schuy R. Weishaar
Cover of the book Becoming a Leader Is Becoming Yourself by Schuy R. Weishaar
Cover of the book Pola Negri by Schuy R. Weishaar
Cover of the book Palliative Care by Schuy R. Weishaar
Cover of the book Rowdy Patsy Tebeau and the Cleveland Spiders by Schuy R. Weishaar
Cover of the book Reassessing Pearl Harbor by Schuy R. Weishaar
Cover of the book The Meaning of Myth in World Cultures by Schuy R. Weishaar
Cover of the book The U.S. Navy's "Interim" LSM(R)s in World War II by Schuy R. Weishaar
Cover of the book Parachuting into Poland, 1944 by Schuy R. Weishaar
Cover of the book Tappin' at the Apollo by Schuy R. Weishaar
Cover of the book Brigadier General Robert L. McCook and Colonel Daniel McCook, Jr. by Schuy R. Weishaar
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy