Material Culture
Assembling and Disassembling Landscapes
Nonfiction, Home & Garden, Antiques & Collectibles, Popular Culture, Art & Architecture, Architecture, Landscape
| Author: | ISBN: | 9783868599190 | |
| Publisher: | Jovis Berlin | Publication: | April 1, 2018 |
| Imprint: | Jovis Berlin | Language: | English |
| Author: | |
| ISBN: | 9783868599190 |
| Publisher: | Jovis Berlin |
| Publication: | April 1, 2018 |
| Imprint: | Jovis Berlin |
| Language: | English |
Landscript 5 examines Material Culture in landscape architecture theory and design. Designed landscapes are temporal assemblages of extant and introduced materials, constructed and maintained through the efforts of human labor, mediated through non-human forces, and shaped by constantly changing cultural relations. Sites are bounded by property lines, yet their material relationships—from the transport of construction commodities to global water cycles—extend to untold limits. Designed landscapes are models of human-nature relations, at the same time they are human-nature relations, simultaneously representing and actualizing the co-production of the world. Landscript 5 looks at the aesthetic implications and design opportunities engaging landscape’s extended Material Culture.
Landscript 5 examines Material Culture in landscape architecture theory and design. Designed landscapes are temporal assemblages of extant and introduced materials, constructed and maintained through the efforts of human labor, mediated through non-human forces, and shaped by constantly changing cultural relations. Sites are bounded by property lines, yet their material relationships—from the transport of construction commodities to global water cycles—extend to untold limits. Designed landscapes are models of human-nature relations, at the same time they are human-nature relations, simultaneously representing and actualizing the co-production of the world. Landscript 5 looks at the aesthetic implications and design opportunities engaging landscape’s extended Material Culture.
