Michel-Jean Sedaine (1719-1797)

Theatre, Opera and Art

Fiction & Literature, Drama, Nonfiction, Entertainment, Literary Theory & Criticism
Cover of the book Michel-Jean Sedaine (1719-1797) by , Taylor and Francis
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Author: ISBN: 9780429640254
Publisher: Taylor and Francis Publication: January 15, 2019
Imprint: Ashgate Language: English
Author:
ISBN: 9780429640254
Publisher: Taylor and Francis
Publication: January 15, 2019
Imprint: Ashgate
Language: English

Originally published in 2000, this book highlights the interst Sedaine's life and work is now, belatedly, provoking in many scholarly disciplines. If Sedaine speaks today to literary history, theatre history and opera studies, it is because he possessed a multivalent vision, one which accounts for both his past neglect and is present rediscovery. Like many others, he believed that the established, 'official' genres needed to be reformed; unlike many, he made it his business to transform the actual language and operation of the theatre arts he practised. Until late eighteenth-century opera and drama in France become better understood, Sedaine's immense importance for the development of Romantic opera and theatre risks remaining generally concealed; to reveal something of this importance is one main reason for publishing the present volume.

This book includes chapters on Sedaine and the question of genre, the representation of the female in the dramas of Sedaine, and the words, gestures and other signs in the era of Sedaine.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Originally published in 2000, this book highlights the interst Sedaine's life and work is now, belatedly, provoking in many scholarly disciplines. If Sedaine speaks today to literary history, theatre history and opera studies, it is because he possessed a multivalent vision, one which accounts for both his past neglect and is present rediscovery. Like many others, he believed that the established, 'official' genres needed to be reformed; unlike many, he made it his business to transform the actual language and operation of the theatre arts he practised. Until late eighteenth-century opera and drama in France become better understood, Sedaine's immense importance for the development of Romantic opera and theatre risks remaining generally concealed; to reveal something of this importance is one main reason for publishing the present volume.

This book includes chapters on Sedaine and the question of genre, the representation of the female in the dramas of Sedaine, and the words, gestures and other signs in the era of Sedaine.

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