Mixing with Impact

Learning to Make Musical Choices

Nonfiction, Science & Nature, Technology, Acoustics & Sound
Cover of the book Mixing with Impact by Wessel Oltheten, Taylor and Francis
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Author: Wessel Oltheten ISBN: 9781351624237
Publisher: Taylor and Francis Publication: March 22, 2018
Imprint: Routledge Language: English
Author: Wessel Oltheten
ISBN: 9781351624237
Publisher: Taylor and Francis
Publication: March 22, 2018
Imprint: Routledge
Language: English

In Mixing with Impact: Learning to Make Musical Choices, Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether you’re a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same.

The same goes for the questions you run into: where do you start? How do you deal with a context in which all the different parts affect each other? How do you avoid getting lost in technique? How do you direct your audience’s attention? Why doesn’t your mix sound as good as someone else’s? How do you maintain your objectivity when you hear the same song a hundred times? How do your speakers affect your perception? What’s the difference between one compressor and another?

Following a clear structure, this book covers these and many other questions, bringing you closer and closer to answering the most important question of all: how do you tell a story with sound?

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Mixing with Impact: Learning to Make Musical Choices, Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether you’re a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same.

The same goes for the questions you run into: where do you start? How do you deal with a context in which all the different parts affect each other? How do you avoid getting lost in technique? How do you direct your audience’s attention? Why doesn’t your mix sound as good as someone else’s? How do you maintain your objectivity when you hear the same song a hundred times? How do your speakers affect your perception? What’s the difference between one compressor and another?

Following a clear structure, this book covers these and many other questions, bringing you closer and closer to answering the most important question of all: how do you tell a story with sound?

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