Modern Drama and the Rhetoric of Theater

Nonfiction, Reference & Language, Language Arts, Public Speaking, Rhetoric, Entertainment, Theatre, Performing Arts
Cover of the book Modern Drama and the Rhetoric of Theater by W. B. Worthen, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: W. B. Worthen ISBN: 9780520963047
Publisher: University of California Press Publication: February 14, 2015
Imprint: University of California Press Language: English
Author: W. B. Worthen
ISBN: 9780520963047
Publisher: University of California Press
Publication: February 14, 2015
Imprint: University of California Press
Language: English

The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.

How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play.

Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.

How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play.

Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.

More books from University of California Press

Cover of the book Mediterranean Encounters by W. B. Worthen
Cover of the book Moral Wages by W. B. Worthen
Cover of the book Millennial Monsters by W. B. Worthen
Cover of the book Black against Empire by W. B. Worthen
Cover of the book Docks by W. B. Worthen
Cover of the book Changing Energy by W. B. Worthen
Cover of the book Why Latin American Nations Fail by W. B. Worthen
Cover of the book The Trouble with Nature by W. B. Worthen
Cover of the book Ghosts of Futures Past by W. B. Worthen
Cover of the book Envisioning Power by W. B. Worthen
Cover of the book Biography of an Empire by W. B. Worthen
Cover of the book Disarming Words by W. B. Worthen
Cover of the book Becoming Dr. Q by W. B. Worthen
Cover of the book Heroes of Empire by W. B. Worthen
Cover of the book On the Postcolony by W. B. Worthen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy