Modern Illustration - The Original Classic Edition
Nonfiction, Reference & Language, Reference, Fiction & Literature
| Author: | Joseph Pennell | ISBN: | 9781486448647 |
| Publisher: | Emereo Publishing | Publication: | March 18, 2013 |
| Imprint: | Emereo Publishing | Language: | English |
| Author: | Joseph Pennell |
| ISBN: | 9781486448647 |
| Publisher: | Emereo Publishing |
| Publication: | March 18, 2013 |
| Imprint: | Emereo Publishing |
| Language: | English |
Finally available, a high quality book of the original classic edition of Modern Illustration. It was previously published by other bona fide publishers, and is now, after many years, back in print.
This is a new and freshly published edition of this culturally important work by Joseph Pennell, which is now, at last, again available to you.
Get the PDF and EPUB NOW as well. Included in your purchase you have Modern Illustration in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Modern Illustration:
Look inside the book:
There is another most serious, really insurmountable difficulty, forPg xix me or anyone else who attempts to write of modern illustration: no illustrations are catalogued to any extent; only the most important illustrators find a place in either the catalogues of South Kensington Art Library or the British Museum; therefore a few years, even a few weeks, after an illustrated book is published, if it has already passed through several editions, it may require hours to find the edition one wants. ... It is by no means uncommon to omit the name of the artist altogether from the work he has illustrated; rarely indeed is it that the engraver's name Pg xxis given; sometimes no mention that the work is illustrated is even made on the title page, or only that it contains so many illustrations; usually if an attempt is made to describe the method by which the designs have been reproduced, it is wrong; in rare cases, I am glad to say, this is intentional—photogravures being called etchings, for example—but it is mainly the result of sheer ignorance on the part of publisher, author, or at times, the illustrator. Hence there are two matters to which I should like to call attention; that all library catalogues give the name of artist and engraver whenever these are printed in the book being catalogued; naturally in a work like this or a magazine, such a course would be impossible, but at least the number of illustrations might be given.
Finally available, a high quality book of the original classic edition of Modern Illustration. It was previously published by other bona fide publishers, and is now, after many years, back in print.
This is a new and freshly published edition of this culturally important work by Joseph Pennell, which is now, at last, again available to you.
Get the PDF and EPUB NOW as well. Included in your purchase you have Modern Illustration in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Modern Illustration:
Look inside the book:
There is another most serious, really insurmountable difficulty, forPg xix me or anyone else who attempts to write of modern illustration: no illustrations are catalogued to any extent; only the most important illustrators find a place in either the catalogues of South Kensington Art Library or the British Museum; therefore a few years, even a few weeks, after an illustrated book is published, if it has already passed through several editions, it may require hours to find the edition one wants. ... It is by no means uncommon to omit the name of the artist altogether from the work he has illustrated; rarely indeed is it that the engraver's name Pg xxis given; sometimes no mention that the work is illustrated is even made on the title page, or only that it contains so many illustrations; usually if an attempt is made to describe the method by which the designs have been reproduced, it is wrong; in rare cases, I am glad to say, this is intentional—photogravures being called etchings, for example—but it is mainly the result of sheer ignorance on the part of publisher, author, or at times, the illustrator. Hence there are two matters to which I should like to call attention; that all library catalogues give the name of artist and engraver whenever these are printed in the book being catalogued; naturally in a work like this or a magazine, such a course would be impossible, but at least the number of illustrations might be given.
