Money, Trains, and Guillotines

Art and Revolution in 1960s Japan

Nonfiction, Art & Architecture, Art History, Asian, General Art
Cover of the book Money, Trains, and Guillotines by William Marotti, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William Marotti ISBN: 9780822393993
Publisher: Duke University Press Publication: March 27, 2013
Imprint: Duke University Press Books Language: English
Author: William Marotti
ISBN: 9780822393993
Publisher: Duke University Press
Publication: March 27, 2013
Imprint: Duke University Press Books
Language: English

During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.

More books from Duke University Press

Cover of the book Fevered Measures by William Marotti
Cover of the book Global/Local by William Marotti
Cover of the book Revolutions in Mexican Catholicism by William Marotti
Cover of the book Given to the Goddess by William Marotti
Cover of the book Junot Díaz and the Decolonial Imagination by William Marotti
Cover of the book A World of Becoming by William Marotti
Cover of the book Reading the Wind by William Marotti
Cover of the book The Subject in Art by William Marotti
Cover of the book Vertical Empire by William Marotti
Cover of the book Subcommander Marcos by William Marotti
Cover of the book Sixteen Modern American Authors by William Marotti
Cover of the book Metamorphoses by William Marotti
Cover of the book The Cultures of Globalization by William Marotti
Cover of the book Speculative Markets by William Marotti
Cover of the book Foucault's Discipline by William Marotti
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy