Monstrum

A Book on Reportable Portraits

Nonfiction, Entertainment, Theatre, Performing Arts
Cover of the book Monstrum by Kattrin Deufert, Thomas Plischke, Sandra Noeth, Books on Demand
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Author: Kattrin Deufert, Thomas Plischke, Sandra Noeth ISBN: 9783848293537
Publisher: Books on Demand Publication: May 4, 2013
Imprint: Language: English
Author: Kattrin Deufert, Thomas Plischke, Sandra Noeth
ISBN: 9783848293537
Publisher: Books on Demand
Publication: May 4, 2013
Imprint:
Language: English
Reportable Portraits is not merely a performance about something or in any specific form. More than any topic it follows a rhizomatic net of resonances and traces, its agglomerations and loose endings. It's a piece that addresses the gaze into the inside; a piece that trusts in the performers. Towards an inefficiency that has no need to alienate anything. The link lies in the conceptual and its interest in the small things. It places an open space before any result, it drives the individual into proximity, clues the sound into the notebooks, encounters the political in an undemonstrative mode. It is like a sound inhabiting a bodiless space, where a dramaturgy of the simultaneous emerges out of judgmental notions of too much or not at all. A Non-Word-Based-Song
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Reportable Portraits is not merely a performance about something or in any specific form. More than any topic it follows a rhizomatic net of resonances and traces, its agglomerations and loose endings. It's a piece that addresses the gaze into the inside; a piece that trusts in the performers. Towards an inefficiency that has no need to alienate anything. The link lies in the conceptual and its interest in the small things. It places an open space before any result, it drives the individual into proximity, clues the sound into the notebooks, encounters the political in an undemonstrative mode. It is like a sound inhabiting a bodiless space, where a dramaturgy of the simultaneous emerges out of judgmental notions of too much or not at all. A Non-Word-Based-Song

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