Music and Globalization

Critical Encounters

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Anthropology
Cover of the book Music and Globalization by , Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780253005410
Publisher: Indiana University Press Publication: November 24, 2011
Imprint: Indiana University Press Language: English
Author:
ISBN: 9780253005410
Publisher: Indiana University Press
Publication: November 24, 2011
Imprint: Indiana University Press
Language: English

World music" emerged as a commercial and musical category in the 1980s, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careful historical and ethnographic analysis of global music can show us how globalization operates and what, if anything, we as consumers have to do with it.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

World music" emerged as a commercial and musical category in the 1980s, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careful historical and ethnographic analysis of global music can show us how globalization operates and what, if anything, we as consumers have to do with it.

More books from Indiana University Press

Cover of the book The End of the Holocaust by
Cover of the book Rethinking African Cultural Production by
Cover of the book A Philosophical Anthropology of the Cross by
Cover of the book The Imjin and Kapyong Battles, Korea, 1951 by
Cover of the book Clavichord for Beginners by
Cover of the book Behind the Smile, Second Edition by
Cover of the book Philanthropic Discourse in Anglo-American Literature, 1850-1920 by
Cover of the book Self-Understanding and Lifeworld by
Cover of the book Seasoned Socialism by
Cover of the book Amtrak in the Heartland by
Cover of the book Mass Culture in Soviet Russia by
Cover of the book African Migrations by
Cover of the book Sex Radical Cinema by
Cover of the book Kierkegaard and the Life of Faith by
Cover of the book Racing to Justice by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy