Music in Germany since 1968

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Music in Germany since 1968 by Alastair Williams, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alastair Williams ISBN: 9781107064812
Publisher: Cambridge University Press Publication: July 18, 2013
Imprint: Cambridge University Press Language: English
Author: Alastair Williams
ISBN: 9781107064812
Publisher: Cambridge University Press
Publication: July 18, 2013
Imprint: Cambridge University Press
Language: English

Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.

More books from Cambridge University Press

Cover of the book Climate Change, Public Health, and the Law by Alastair Williams
Cover of the book Transitional Jurisprudence and the ECHR by Alastair Williams
Cover of the book Vox Latina by Alastair Williams
Cover of the book Mapping Species Distributions by Alastair Williams
Cover of the book Principles of LED Light Communications by Alastair Williams
Cover of the book 'Armed Attack' and Article 51 of the UN Charter by Alastair Williams
Cover of the book Language, Sexuality and Education by Alastair Williams
Cover of the book Deep-Sky Companions: Southern Gems by Alastair Williams
Cover of the book Inflectional Paradigms by Alastair Williams
Cover of the book Wavelet Radio by Alastair Williams
Cover of the book Research Methods for Science by Alastair Williams
Cover of the book Australian Social Policy and the Human Services by Alastair Williams
Cover of the book The Limits of Peacekeeping: Volume 4, The Official History of Australian Peacekeeping, Humanitarian and Post-Cold War Operations by Alastair Williams
Cover of the book Demonstratives in Cross-Linguistic Perspective by Alastair Williams
Cover of the book The Ottoman 'Wild West' by Alastair Williams
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy