Music in the London Theatre from Purcell to Handel

Nonfiction, Art & Architecture, General Art, Entertainment, Music, History
Cover of the book Music in the London Theatre from Purcell to Handel by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781108124263
Publisher: Cambridge University Press Publication: June 29, 2017
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781108124263
Publisher: Cambridge University Press
Publication: June 29, 2017
Imprint: Cambridge University Press
Language: English

This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.

More books from Cambridge University Press

Cover of the book Australia 1943 by
Cover of the book Politics without Stories by
Cover of the book Texts and Violence in the Roman World by
Cover of the book More Heat than Light by
Cover of the book Personality and the Foundations of Political Behavior by
Cover of the book English Legal History and its Sources by
Cover of the book Books for Children, Books for Adults by
Cover of the book Scandal of Colonial Rule by
Cover of the book Theory of Financial Risk and Derivative Pricing by
Cover of the book Conflict of Interest in Global, Public and Corporate Governance by
Cover of the book The Sanctity of Life and the Criminal Law by
Cover of the book Anthropology, History, and Education by
Cover of the book Constitution and Contestation in Global Governance by
Cover of the book Post-Kyoto International Climate Policy by
Cover of the book The Quest for Good Governance by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy