Mythologies of the Prophet Muhammad in Early Modern English Culture

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Mythologies of the Prophet Muhammad in Early Modern English Culture by Matthew Dimmock, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Matthew Dimmock ISBN: 9781107327061
Publisher: Cambridge University Press Publication: May 31, 2013
Imprint: Cambridge University Press Language: English
Author: Matthew Dimmock
ISBN: 9781107327061
Publisher: Cambridge University Press
Publication: May 31, 2013
Imprint: Cambridge University Press
Language: English

The figure of 'Mahomet' was widely known in early modern England. A grotesque version of the Prophet Muhammad, Mahomet was a product of vilification, caricature and misinformation placed at the centre of Christian conceptions of Islam. In Mythologies of the Prophet Muhammad in Early Modern English Culture Matthew Dimmock draws on an eclectic range of early modern sources - literary, historical, visual - to explore the nature and use of Mahomet in a period bounded by the beginnings of print and the early Enlightenment. This fabricated figure and his spurious biography were endlessly recycled, but also challenged and vindicated, and the tales the English told about him offer new perspectives on their sense of the world - its geographies and religions, near and far - and their place within it. This book explores the role played by Mahomet in the making of Englishness, and reflects on what this might reveal about England's present circumstances.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The figure of 'Mahomet' was widely known in early modern England. A grotesque version of the Prophet Muhammad, Mahomet was a product of vilification, caricature and misinformation placed at the centre of Christian conceptions of Islam. In Mythologies of the Prophet Muhammad in Early Modern English Culture Matthew Dimmock draws on an eclectic range of early modern sources - literary, historical, visual - to explore the nature and use of Mahomet in a period bounded by the beginnings of print and the early Enlightenment. This fabricated figure and his spurious biography were endlessly recycled, but also challenged and vindicated, and the tales the English told about him offer new perspectives on their sense of the world - its geographies and religions, near and far - and their place within it. This book explores the role played by Mahomet in the making of Englishness, and reflects on what this might reveal about England's present circumstances.

More books from Cambridge University Press

Cover of the book Indigenous Peoples, Poverty, and Development by Matthew Dimmock
Cover of the book Templar Families by Matthew Dimmock
Cover of the book The Copyright/Design Interface by Matthew Dimmock
Cover of the book Global Environmental Change and Innovation in International Law by Matthew Dimmock
Cover of the book Law and Order in Ancient Athens by Matthew Dimmock
Cover of the book Defoe's America by Matthew Dimmock
Cover of the book The Cambridge Companion to Spinoza's Ethics by Matthew Dimmock
Cover of the book The Politics of Institutional Reform by Matthew Dimmock
Cover of the book The International Law on Foreign Investment by Matthew Dimmock
Cover of the book Beckett, Modernism and the Material Imagination by Matthew Dimmock
Cover of the book Twentieth-Century British Theatre by Matthew Dimmock
Cover of the book Foch in Command by Matthew Dimmock
Cover of the book Effective Treatments in Psychiatry by Matthew Dimmock
Cover of the book Networks in Telecommunications by Matthew Dimmock
Cover of the book The Cambridge Intellectual History of Byzantium by Matthew Dimmock
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy