Narrating the News
New Journalism and Literary Genre in Late Nineteenth-Century American Newspapers and Fiction
Fiction & Literature, Literary Theory & Criticism, American
| Author: | Karen Roggenkamp | ISBN: | 9781612774244 |
| Publisher: | The Kent State University Press | Publication: | October 8, 2001 |
| Imprint: | The Kent State University Press | Language: | English |
| Author: | Karen Roggenkamp |
| ISBN: | 9781612774244 |
| Publisher: | The Kent State University Press |
| Publication: | October 8, 2001 |
| Imprint: | The Kent State University Press |
| Language: | English |
A scholarly examination of “new journalism”
Due to a burgeoning print marketplace during the late nineteenth century, urban newspapers felt pressure to create entertaining prose that appealed to readers, drawing on popular literary genres such as travel adventures, detective tales, and historical romances as a way of framing the news for readers. Using current events for their source documents, reporters fashioned their own dramas based on those that readers recognized from a broadly drawn literary culture. The desire to spin attractive, popular tales sometimes came at the expense of factual information. This novel, commercialized, and sensationalistic style of reporting, called “new journalism,” was closely tied to American fiction.
In Narrating the News Karen Roggenkamp examines five major stories featured in three respected New York newspapers during the 1890s—the story of two antebellum hoaxes, Nellie Bly’s around-the-world journey, Lizzie Borden’s sensational trial, Evangelina Cisneros’s rescue from her Spanish captors, and the Janet Cooke "Jimmy’s World" scandal—to illustrate how new journalism manipulated specific segments of the literary marketplace. These case studies are complemented by broader cultural analyses that touch on vital topics in literary and cultural studies—gender, expansionism, realism, and professionalization.
Unlike previously published studies of literature and journalism, which focus only on a few canonical figures, Roggenkamp looks at part of the history of mass print communications more generally, exposing the competitive and reinforcing interplay between specific literary genres and their journalistic revisions. Narrating the News provides an original, significant contribution to the fields of literature, journalism history, and cultural studies.
A scholarly examination of “new journalism”
Due to a burgeoning print marketplace during the late nineteenth century, urban newspapers felt pressure to create entertaining prose that appealed to readers, drawing on popular literary genres such as travel adventures, detective tales, and historical romances as a way of framing the news for readers. Using current events for their source documents, reporters fashioned their own dramas based on those that readers recognized from a broadly drawn literary culture. The desire to spin attractive, popular tales sometimes came at the expense of factual information. This novel, commercialized, and sensationalistic style of reporting, called “new journalism,” was closely tied to American fiction.
In Narrating the News Karen Roggenkamp examines five major stories featured in three respected New York newspapers during the 1890s—the story of two antebellum hoaxes, Nellie Bly’s around-the-world journey, Lizzie Borden’s sensational trial, Evangelina Cisneros’s rescue from her Spanish captors, and the Janet Cooke "Jimmy’s World" scandal—to illustrate how new journalism manipulated specific segments of the literary marketplace. These case studies are complemented by broader cultural analyses that touch on vital topics in literary and cultural studies—gender, expansionism, realism, and professionalization.
Unlike previously published studies of literature and journalism, which focus only on a few canonical figures, Roggenkamp looks at part of the history of mass print communications more generally, exposing the competitive and reinforcing interplay between specific literary genres and their journalistic revisions. Narrating the News provides an original, significant contribution to the fields of literature, journalism history, and cultural studies.
