Narrative Complexity in Christopher Nolan's 'Memento'. Narrative Structure, Unreliability, Fabula Construction and Cinematography as Key Elements for the Spectator's Manipulation

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Narrative Complexity in Christopher Nolan's 'Memento'. Narrative Structure, Unreliability, Fabula Construction and Cinematography as Key Elements for the Spectator's Manipulation by Claudia Rumms, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Claudia Rumms ISBN: 9783668067776
Publisher: GRIN Publishing Publication: October 16, 2015
Imprint: GRIN Publishing Language: English
Author: Claudia Rumms
ISBN: 9783668067776
Publisher: GRIN Publishing
Publication: October 16, 2015
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2015 in the subject Film Science, grade: 1,3, University of Münster, language: English, abstract: In my term paper, I will examine the narrative structure in 'Memento' which switches between chronological narration and reversed temporality. With respect to this unique narrative structure, I will take a closer look at the black-and-white and colour sequences, the opening sequence and the outstanding and resolvent scene 22/A, especially regarding the cinematography used. In the further course of my work, you will learn of the essential role of the unreliable narrator regarding my thesis and finally what impact the fabula construction in 'Memento' has on his viewers. 'Causes and their effects are basic to narrative, but they take place in time'. This quotation from Bordwell's and Thompson's work Film Art, an Introduction does not only show a fundamental principle of narration but furthermore depicts a possibility to manipulate the spectator's understanding of a story. Christopher Nolan's 'Memento' is one example of what a complex narration can be. The film shows two separate stories of Leonard, an ex-insurance investigator who suffers anterograde amnesia and attempts to find the murderer of his wife, which is the last thing he can remember. On the one hand there is a forward moving storyline, the black-and-white scenes while the other one, the colour sequences, tells the story backwards. Although the story behind the film is rather simple, the narrative structure is extremely complex and clever, which demands constant attention from its spectators. This term paper will deal with the methods used in 'Memento' which mislead the audience's understanding of the story. My thesis is therefore: Narrative complexity in Christopher Nolan's 'Memento' - Narrative structure, Narrator's unreliability, fabula construction and cinematography as key elements for the spectator's manipulation. Apart from the film 'Memento', the central literature I will work with is the essay by Stefano Ghislotti 'Narrative Comprehension Made Difficult: Film, Form and Mnemonic Devices in 'Memento'', the documentary 'Anatomy of a Scene' about the making of 'Memento', a text by Andy Klein named 'Everything You Wanted to Know about 'Memento'' and different filmic narrativity by Jakob Lothe, David Herman and Edward Branigan. In addition to that, there is a self-generated sequence analysis attached to the term paper in order to have an overall view of the scenes I take a closer look at.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2015 in the subject Film Science, grade: 1,3, University of Münster, language: English, abstract: In my term paper, I will examine the narrative structure in 'Memento' which switches between chronological narration and reversed temporality. With respect to this unique narrative structure, I will take a closer look at the black-and-white and colour sequences, the opening sequence and the outstanding and resolvent scene 22/A, especially regarding the cinematography used. In the further course of my work, you will learn of the essential role of the unreliable narrator regarding my thesis and finally what impact the fabula construction in 'Memento' has on his viewers. 'Causes and their effects are basic to narrative, but they take place in time'. This quotation from Bordwell's and Thompson's work Film Art, an Introduction does not only show a fundamental principle of narration but furthermore depicts a possibility to manipulate the spectator's understanding of a story. Christopher Nolan's 'Memento' is one example of what a complex narration can be. The film shows two separate stories of Leonard, an ex-insurance investigator who suffers anterograde amnesia and attempts to find the murderer of his wife, which is the last thing he can remember. On the one hand there is a forward moving storyline, the black-and-white scenes while the other one, the colour sequences, tells the story backwards. Although the story behind the film is rather simple, the narrative structure is extremely complex and clever, which demands constant attention from its spectators. This term paper will deal with the methods used in 'Memento' which mislead the audience's understanding of the story. My thesis is therefore: Narrative complexity in Christopher Nolan's 'Memento' - Narrative structure, Narrator's unreliability, fabula construction and cinematography as key elements for the spectator's manipulation. Apart from the film 'Memento', the central literature I will work with is the essay by Stefano Ghislotti 'Narrative Comprehension Made Difficult: Film, Form and Mnemonic Devices in 'Memento'', the documentary 'Anatomy of a Scene' about the making of 'Memento', a text by Andy Klein named 'Everything You Wanted to Know about 'Memento'' and different filmic narrativity by Jakob Lothe, David Herman and Edward Branigan. In addition to that, there is a self-generated sequence analysis attached to the term paper in order to have an overall view of the scenes I take a closer look at.

More books from GRIN Publishing

Cover of the book The depiction of women in Sandra Cisneros novel 'The House On Mango Street' by Claudia Rumms
Cover of the book Evangelism in the German Landeskirchen after the Leipzig Synod 1999 by Claudia Rumms
Cover of the book The V-Chip, ratings and sex & violence on cable. A status report by Claudia Rumms
Cover of the book The word-formation process 'clipping' by Claudia Rumms
Cover of the book An Essay on 'Jacob's Room' by Virginia Woolf by Claudia Rumms
Cover of the book Changes of the welfare state in the US and Germany. The notion 'citizenship' and the reactions in public by Claudia Rumms
Cover of the book Geschlechtskonstruktionen im imaginären Raum by Claudia Rumms
Cover of the book The soldiers' mothers of Russia by Claudia Rumms
Cover of the book Flow, motivation, and job-change history in British and Hong Kong Chinese workers by Claudia Rumms
Cover of the book Account for differences in the development of physical education in Britain and Germany in the nineteenth century by Claudia Rumms
Cover of the book Stigmatization of HIV-infected individuals by Claudia Rumms
Cover of the book Stephen Greenblatt's New Historicism. A Viable Theory? by Claudia Rumms
Cover of the book Marketing channel strategy for consumer goods by Claudia Rumms
Cover of the book The effect of changing theological and ecclesiological priorities in the Western Church on Eucharistic liturgical practice in the Twelfth Century by Claudia Rumms
Cover of the book The suitability of William Golding's 'Lord of the Flies' for the EFL-classroom and possible ways of teaching it by Claudia Rumms
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy