Narratives of Catastrophe

Boris Diop, ben Jelloun, Khatibi

Fiction & Literature, Literary Theory & Criticism, African
Cover of the book Narratives of Catastrophe by Nasrin Qader, Fordham University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nasrin Qader ISBN: 9780823230501
Publisher: Fordham University Press Publication: August 25, 2009
Imprint: Fordham University Press Language: English
Author: Nasrin Qader
ISBN: 9780823230501
Publisher: Fordham University Press
Publication: August 25, 2009
Imprint: Fordham University Press
Language: English

Narratives of Catastrophe tells the story of the relationship between catastrophe, in the senses of "down turn" and "break," and narration as "recounting" in the senses suggested by the French term récit in selected texts by three leading writers from Africa.

Qader's book begins by exploring the political implications of narrating catastrophic historical events. Through careful readings of singular literary texts on the genocide in Rwanda and on Tazmamart, a secret prison in Morocco under the reign of Hassan II, Qader shows how historical catastrophes enter language and how this language is marked by the catastrophe it recounts. Not satisfied with the extra-literary characterizations of catastrophe in terms of numbers, laws, and naming, she investigates the catastrophic in catastrophe, arguing that catastrophe is always an effect of language andthought,. The récit becomes a privileged site because the difficulties of thinking and speaking about catastrophe unfold through the very movements of storytelling.

This book intervenes in important ways in the current scholarship in the field of African literatures. It shows the contributions of African literatures in elucidating theoretical problems for literary studies in general, such as storytelling's relationship to temporality, subjectivity, and thought. Moreover, it addresses the issue of storytelling, which is of central concern in the context of African literatures but still remains limited mostly to the distinction between the oral and the written. The notion of récit breaks with this duality by foregrounding the inaugural temporality of telling and of writing as repetition.

The final chapters examine catastrophic turns within the philosophical traditions of the West and in Islamic thought, highlighting their interconnections and differences.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Narratives of Catastrophe tells the story of the relationship between catastrophe, in the senses of "down turn" and "break," and narration as "recounting" in the senses suggested by the French term récit in selected texts by three leading writers from Africa.

Qader's book begins by exploring the political implications of narrating catastrophic historical events. Through careful readings of singular literary texts on the genocide in Rwanda and on Tazmamart, a secret prison in Morocco under the reign of Hassan II, Qader shows how historical catastrophes enter language and how this language is marked by the catastrophe it recounts. Not satisfied with the extra-literary characterizations of catastrophe in terms of numbers, laws, and naming, she investigates the catastrophic in catastrophe, arguing that catastrophe is always an effect of language andthought,. The récit becomes a privileged site because the difficulties of thinking and speaking about catastrophe unfold through the very movements of storytelling.

This book intervenes in important ways in the current scholarship in the field of African literatures. It shows the contributions of African literatures in elucidating theoretical problems for literary studies in general, such as storytelling's relationship to temporality, subjectivity, and thought. Moreover, it addresses the issue of storytelling, which is of central concern in the context of African literatures but still remains limited mostly to the distinction between the oral and the written. The notion of récit breaks with this duality by foregrounding the inaugural temporality of telling and of writing as repetition.

The final chapters examine catastrophic turns within the philosophical traditions of the West and in Islamic thought, highlighting their interconnections and differences.

More books from Fordham University Press

Cover of the book Lacan and the Limits of Language by Nasrin Qader
Cover of the book Indecorous Thinking by Nasrin Qader
Cover of the book How We Got to Coney Island by Nasrin Qader
Cover of the book Common Goods by Nasrin Qader
Cover of the book The Sentimental Touch by Nasrin Qader
Cover of the book Messy Eating by Nasrin Qader
Cover of the book The Decolonial Abyss by Nasrin Qader
Cover of the book Heartbeats in the Muck by Nasrin Qader
Cover of the book The Death of the Book by Nasrin Qader
Cover of the book Resistance of the Sensible World by Nasrin Qader
Cover of the book The Intellectual Origins of the Global Financial Crisis by Nasrin Qader
Cover of the book Loaded Words by Nasrin Qader
Cover of the book Figuring Violence by Nasrin Qader
Cover of the book The Rebellious No by Nasrin Qader
Cover of the book Public Things by Nasrin Qader
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy