Nazi-Looted Art and the Law

The American Cases

Nonfiction, Reference & Language, Law, International, Art & Architecture, General Art, Criticism
Cover of the book Nazi-Looted Art and the Law by Bruce L. Hay, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bruce L. Hay ISBN: 9783319649672
Publisher: Springer International Publishing Publication: November 4, 2017
Imprint: Springer Language: English
Author: Bruce L. Hay
ISBN: 9783319649672
Publisher: Springer International Publishing
Publication: November 4, 2017
Imprint: Springer
Language: English

This book offers a clear, accessible account of the American litigation over the restitution of works of art taken from Jewish families during the Holocaust. For the past two decades, the courts of the United States have been an arena of conflict over this issue that has recently captured widespread public attention. In a series of cases, survivors and heirs have come forward to claim artworks in public and private collections around the world, asserting that they were seized by the Nazis or were sold under duress by owners desperate to escape occupied countries. Spanning two continents and three-quarters of a century, the cases confront the courts with complex problems of domestic and international law, clashes among the laws of different jurisdictions, factual uncertainties about the movements of art during and after the war, and the persistent question whether restitution claims have been extinguished by the passage of time.

Through individual case studies, the book examines the legal questions these conflicts have raised and the answers the courts have given. From the internationally celebrated “Woman in Gold” lawsuit against Austria to lesser-known claims against Germany, Hungary, Spain, and museums and private collections in the United States, the book synthesizes the legal and evidentiary materials and judicial rulings in each case, creating a coherent narrative of proceedings that are often labyrinthine in complexity. Written by a leading authority on litigation and procedure, the book will be of interest to readers in various fields of the humanities and social sciences as well as law, and to anyone interested in the fate of artworks that have been called the “last prisoners” of the Second World War.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book offers a clear, accessible account of the American litigation over the restitution of works of art taken from Jewish families during the Holocaust. For the past two decades, the courts of the United States have been an arena of conflict over this issue that has recently captured widespread public attention. In a series of cases, survivors and heirs have come forward to claim artworks in public and private collections around the world, asserting that they were seized by the Nazis or were sold under duress by owners desperate to escape occupied countries. Spanning two continents and three-quarters of a century, the cases confront the courts with complex problems of domestic and international law, clashes among the laws of different jurisdictions, factual uncertainties about the movements of art during and after the war, and the persistent question whether restitution claims have been extinguished by the passage of time.

Through individual case studies, the book examines the legal questions these conflicts have raised and the answers the courts have given. From the internationally celebrated “Woman in Gold” lawsuit against Austria to lesser-known claims against Germany, Hungary, Spain, and museums and private collections in the United States, the book synthesizes the legal and evidentiary materials and judicial rulings in each case, creating a coherent narrative of proceedings that are often labyrinthine in complexity. Written by a leading authority on litigation and procedure, the book will be of interest to readers in various fields of the humanities and social sciences as well as law, and to anyone interested in the fate of artworks that have been called the “last prisoners” of the Second World War.

More books from Springer International Publishing

Cover of the book A Transnational Analysis of Representations of the US Filibusters in Nicaragua, 1855-1857 by Bruce L. Hay
Cover of the book Corneal Diseases in Children by Bruce L. Hay
Cover of the book Psychiatric Care in Severe Obesity by Bruce L. Hay
Cover of the book Ubiquitous Computing and Ambient Intelligence by Bruce L. Hay
Cover of the book Financial Cryptography and Data Security by Bruce L. Hay
Cover of the book Spirits in Transcultural Skies by Bruce L. Hay
Cover of the book Increasing Perceptual Skills of Robots Through Proximal Force/Torque Sensors by Bruce L. Hay
Cover of the book REBT in the Treatment of Subclinical and Clinical Depression by Bruce L. Hay
Cover of the book Hybrid and Fully Thermoelectric Solar Harvesting by Bruce L. Hay
Cover of the book The Political Economy of Change and Continuity in Korea by Bruce L. Hay
Cover of the book Macrophages by Bruce L. Hay
Cover of the book Value Creation in International Business by Bruce L. Hay
Cover of the book Internet of Things for Smart Cities by Bruce L. Hay
Cover of the book Damages in EU Public Procurement Law by Bruce L. Hay
Cover of the book The Future of Health, Wellbeing and Physical Education by Bruce L. Hay
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy