New Directions in Music and Human-Computer Interaction

Nonfiction, Computers, Advanced Computing, Programming, User Interfaces, Computer Science, General Computing
Cover of the book New Directions in Music and Human-Computer Interaction by , Springer International Publishing
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Author: ISBN: 9783319920696
Publisher: Springer International Publishing Publication: February 6, 2019
Imprint: Springer Language: English
Author:
ISBN: 9783319920696
Publisher: Springer International Publishing
Publication: February 6, 2019
Imprint: Springer
Language: English

Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers. 

The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers. 

The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.

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