Not Hamlet

Meditations on the Frail Position of Women in Drama

Nonfiction, Entertainment, Theatre, Performing Arts, Fiction & Literature, Literary Theory & Criticism
Cover of the book Not Hamlet by Janet Suzman, Oberon Books
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Author: Janet Suzman ISBN: 9781849436014
Publisher: Oberon Books Publication: October 22, 2015
Imprint: Oberon Books Language: English
Author: Janet Suzman
ISBN: 9781849436014
Publisher: Oberon Books
Publication: October 22, 2015
Imprint: Oberon Books
Language: English

Shakespeare’s Cleopatra, La Pucelle, Ophelia, Shaw’s St Joan and Ibsen’s Hedda – a handful of ‘seminal’ roles for women in the classical canon. Janet Suzman has played them all and directed some. Here she examines their complexity and explores why only Cleopatra has an independence that allows her to speak to modern women.

None of these, regrettably, matches up to a Hamlet, but as she is grateful for the parts he did write, Suzman feels a lightly-barbed attack on those who work in theatre and doubt Shakespeare’s authorship is way overdue. She also takes issue with received ideas on boy actors playing mature women in Shakespeare’s company, and refl ects on how female characters in classical drama have not been on a level with their male counterparts. Today, on TV, fi lm and the stage, this remains the case. Not Hamlet but Hamlette, please.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Shakespeare’s Cleopatra, La Pucelle, Ophelia, Shaw’s St Joan and Ibsen’s Hedda – a handful of ‘seminal’ roles for women in the classical canon. Janet Suzman has played them all and directed some. Here she examines their complexity and explores why only Cleopatra has an independence that allows her to speak to modern women.

None of these, regrettably, matches up to a Hamlet, but as she is grateful for the parts he did write, Suzman feels a lightly-barbed attack on those who work in theatre and doubt Shakespeare’s authorship is way overdue. She also takes issue with received ideas on boy actors playing mature women in Shakespeare’s company, and refl ects on how female characters in classical drama have not been on a level with their male counterparts. Today, on TV, fi lm and the stage, this remains the case. Not Hamlet but Hamlette, please.

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