Number One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits

Nonfiction, Entertainment, Music, Instruments & Instruction, Guitar, Theory & Criticism, History & Criticism, General Instruments
Cover of the book Number One with an Axe! A Look at the Guitar’s Role in America’s #1 Hits by Michael Rays, Michael Rays
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael Rays ISBN: 9781311101990
Publisher: Michael Rays Publication: July 9, 2016
Imprint: Smashwords Edition Language: English
Author: Michael Rays
ISBN: 9781311101990
Publisher: Michael Rays
Publication: July 9, 2016
Imprint: Smashwords Edition
Language: English

Pop music history for guitar lovers! The guitar's pre-eminence in rock & roll is well-known--but what about pop music? Specifically, what about the pinnacle of pop music: number one hit songs? Guitar gadfly and pop music lover Michael Rays takes you on a guitar-oriented tour through the history of Billboard's American number one hits, starting in 1955 with "Rock Around the Clock" and proceeding through Frankie Avalon's "Why"--the final #1 song of 1959. Rays rates each song on four guitar-centric criteria: Riffage, Rhythm Playing, Fills and Solos. He also writes brief commentaries on each song, noting the many strummed surprises, oddities and innovations that enriched the American soundtrack of the late 50s. This book is about great music, great memories, and great (and occasionally not-so-great) guitar!

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Pop music history for guitar lovers! The guitar's pre-eminence in rock & roll is well-known--but what about pop music? Specifically, what about the pinnacle of pop music: number one hit songs? Guitar gadfly and pop music lover Michael Rays takes you on a guitar-oriented tour through the history of Billboard's American number one hits, starting in 1955 with "Rock Around the Clock" and proceeding through Frankie Avalon's "Why"--the final #1 song of 1959. Rays rates each song on four guitar-centric criteria: Riffage, Rhythm Playing, Fills and Solos. He also writes brief commentaries on each song, noting the many strummed surprises, oddities and innovations that enriched the American soundtrack of the late 50s. This book is about great music, great memories, and great (and occasionally not-so-great) guitar!

More books from General Instruments

Cover of the book Intro to Polyrhythms by Michael Rays
Cover of the book You Can Teach Yourself Banjo by Michael Rays
Cover of the book 150 Gems of Irish Music for Tin Whistle by Michael Rays
Cover of the book Catalogue of Rare Old Violins, Violas And Violoncellos - Also Bows of Rare Makes by Michael Rays
Cover of the book Secret Sounds by Michael Rays
Cover of the book Wedding Music for the Lever Harp by Michael Rays
Cover of the book Recorder Sonatas by Michael Rays
Cover of the book Ukulele Guide Pratique Vol. 8 by Michael Rays
Cover of the book Tommy Emmanuel - Only by Michael Rays
Cover of the book Christmas Sheet Music for Tuba: Book 1 by Michael Rays
Cover of the book Sheet Music for Alto Saxophone: Book 4 by Michael Rays
Cover of the book Popular Standards For Alto Sax With Piano Accompaniment Sheet Music Book 1 by Michael Rays
Cover of the book Easy Harmonica by Michael Rays
Cover of the book Children's Guitar Method Volume 1 by Michael Rays
Cover of the book The Cambridge Companion to the Organ by Michael Rays
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy