Old and New Paris: Its History, its People and its Places (Complete)

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Old and New Paris: Its History, its People and its Places (Complete) by Henry Sutherland Edwards, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Henry Sutherland Edwards ISBN: 9781465581266
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Henry Sutherland Edwards
ISBN: 9781465581266
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

A PARISIAN who is not rich enough to keep a distinguished chef of his own will occasionally order a dainty dinner to be forwarded to him from some hotel or restaurant; and in these cases the repast, as soon as it is ready, is sometimes put into a hackney cab and driven to the house of the consignee by the cocher, who is not unaccustomed to find this “fare” more remunerative than the fare he habitually conveys. A glance at the cocher, as another of the Parisian types of character, may here be not inopportune. As a matter of fact, however, the cocher is not one type but several. The name applies to the driver of the omnibus, of the fiacre, and of the private carriage. As to the omnibus driver, he is more amiable, more easy-going, less sarcastic than his counterpart in London. Nobody would ever hear an omnibus driver in Paris say, as one has been heard to say in London, when a lady passenger requested to be put down at 339½ —— Street, “Certainly, madam, and would you like me to drive upstairs?” Nor is the Paris cabman so extortionate as his London brother; for the fare-regulations, by which there is one fixed charge for the conveyance of a passenger any distance within a certain radius, precludes the inevitable dispute which awaits the lady or gentleman who in our metropolis dares to take a four-wheeler or a hansom. Already in the sixteenth century hackney carriages were driven in the streets of Paris; and any differences arising between the cocher and his passenger were at this period referred to the lieutenant of the police. The private coachmen, attached to the service of the nobility, found their position a somewhat perilous one in an age when quarrels were so frequent on the question of social precedence. If two aristocratic carriages met in some narrow street, barring each other’s way, the footmen would get down and fight for a passage. Serious wounds were sometimes inflicted, and even the master would now and then step out of his vehicle and, with drawn sword, join in the affray. The coachman, meanwhile, prouder in livery than his master in braided coat, remained motionless on his box in spite of the blows which were being dealt around. It is related that when on one occasion a party of highwaymen attacked the carriage of Benserade, poet, wit, and dramatic author, his coachman sat calmly at his post, and amused himself with whistling whilst his master was being stripped of everything. From time to time he turned towards the robbers and said, “Gentlemen, shall you soon have finished, and can I continue my journey?”

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A PARISIAN who is not rich enough to keep a distinguished chef of his own will occasionally order a dainty dinner to be forwarded to him from some hotel or restaurant; and in these cases the repast, as soon as it is ready, is sometimes put into a hackney cab and driven to the house of the consignee by the cocher, who is not unaccustomed to find this “fare” more remunerative than the fare he habitually conveys. A glance at the cocher, as another of the Parisian types of character, may here be not inopportune. As a matter of fact, however, the cocher is not one type but several. The name applies to the driver of the omnibus, of the fiacre, and of the private carriage. As to the omnibus driver, he is more amiable, more easy-going, less sarcastic than his counterpart in London. Nobody would ever hear an omnibus driver in Paris say, as one has been heard to say in London, when a lady passenger requested to be put down at 339½ —— Street, “Certainly, madam, and would you like me to drive upstairs?” Nor is the Paris cabman so extortionate as his London brother; for the fare-regulations, by which there is one fixed charge for the conveyance of a passenger any distance within a certain radius, precludes the inevitable dispute which awaits the lady or gentleman who in our metropolis dares to take a four-wheeler or a hansom. Already in the sixteenth century hackney carriages were driven in the streets of Paris; and any differences arising between the cocher and his passenger were at this period referred to the lieutenant of the police. The private coachmen, attached to the service of the nobility, found their position a somewhat perilous one in an age when quarrels were so frequent on the question of social precedence. If two aristocratic carriages met in some narrow street, barring each other’s way, the footmen would get down and fight for a passage. Serious wounds were sometimes inflicted, and even the master would now and then step out of his vehicle and, with drawn sword, join in the affray. The coachman, meanwhile, prouder in livery than his master in braided coat, remained motionless on his box in spite of the blows which were being dealt around. It is related that when on one occasion a party of highwaymen attacked the carriage of Benserade, poet, wit, and dramatic author, his coachman sat calmly at his post, and amused himself with whistling whilst his master was being stripped of everything. From time to time he turned towards the robbers and said, “Gentlemen, shall you soon have finished, and can I continue my journey?”

More books from Library of Alexandria

Cover of the book In Savage Africa: The Adventures of Frank Baldwin from the Gold Coast to Zanzibar by Henry Sutherland Edwards
Cover of the book Samantha at the St. Louis Exposition by Henry Sutherland Edwards
Cover of the book Beeton's Book of Needlework by Henry Sutherland Edwards
Cover of the book Kansas Women in Literature by Henry Sutherland Edwards
Cover of the book Vie de Jeanne d'Arc (Complete) by Henry Sutherland Edwards
Cover of the book Materfamilias by Henry Sutherland Edwards
Cover of the book Dionysius of Halicarnassus On Literary Composition: Being the Greek Text of the De Compositione Verborum by Henry Sutherland Edwards
Cover of the book Cuchulain: The Hound of Ulster by Henry Sutherland Edwards
Cover of the book Chronicles of Jerahmeel; Or the Hebrew Bible Historiale by Henry Sutherland Edwards
Cover of the book Ned in the Block-House: A Tale of Early Days in the West by Henry Sutherland Edwards
Cover of the book Island Life: The Phenomena and Causes of Insular Faunas and Floras by Henry Sutherland Edwards
Cover of the book Creative Intelligence: Essays in the Pragmatic Attitude by Henry Sutherland Edwards
Cover of the book The Three Brides, Love in a Cottage and Other Tales by Henry Sutherland Edwards
Cover of the book The Life of Lyman Trumbull by Henry Sutherland Edwards
Cover of the book International Law by Henry Sutherland Edwards
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy