Old Fritz and the New Era

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Old Fritz and the New Era by Luise Mühlbach, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Luise Mühlbach ISBN: 9781465539069
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Luise Mühlbach
ISBN: 9781465539069
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

I would merely say a few words in justification of the Historical Romance, in its relation to history. Any one, with no preceding profound study of history, who takes a few well-known historical facts as a foundation for an airy castle of romantic invention and fantastic adventure, may easily write an Historical Romance; for him history is only the nude manikin which he clothes and adorns according to his own taste, and to which he gives the place and position most agreeable to himself. But only the writer who is in earnest with respect to historical truth, who is not impelled by levity or conceited presumption, is justified in attempting this species of composition; thoroughly impressed with the greatness of his undertaking, he will with modest humility constantly remember that he has proposed to himself a great and sublime work which, however, it will be difficult if not impossible for him wholly and completely to accomplish. But what is this great, this sublime end, which the Historical Romance writer proposes to attain? It is this: to illustrate history, to popularize it; to bring forth from the silent studio of the scholar and to expose in the public market of life, for the common good, the great men and great deeds embalmed in history, and of which only the studious have hitherto enjoyed the monopoly. Thus, at least, have I considered the vocation I have chosen, not vainly or inconsiderately, but with a profound conviction of the greatness of my undertaking, and with a depressing consciousness that my power and acquirements may prove inadequate for the attainment of my proposed end. But I am also fully conscious of what was and still is my greatest desire: to give an agreeable and popular form to our national history, which may attract the attention and affections of our people, which may open their understandings to the tendencies of political movements, and connect the facts of history with the events of actual life. The severe historian has to do but with accomplished facts; he can only record and describe, with the strictest regard to truth, that which has outwardly occurred. He describes the battles of peoples, the struggles of nations, the great deeds of heroes, the actions of princes—in short, he gives the accomplished facts. To investigate and explain the secret motives, the hidden causes of these facts, to present them in connection with all that impelled to them, this is the task of Historical Romance

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

I would merely say a few words in justification of the Historical Romance, in its relation to history. Any one, with no preceding profound study of history, who takes a few well-known historical facts as a foundation for an airy castle of romantic invention and fantastic adventure, may easily write an Historical Romance; for him history is only the nude manikin which he clothes and adorns according to his own taste, and to which he gives the place and position most agreeable to himself. But only the writer who is in earnest with respect to historical truth, who is not impelled by levity or conceited presumption, is justified in attempting this species of composition; thoroughly impressed with the greatness of his undertaking, he will with modest humility constantly remember that he has proposed to himself a great and sublime work which, however, it will be difficult if not impossible for him wholly and completely to accomplish. But what is this great, this sublime end, which the Historical Romance writer proposes to attain? It is this: to illustrate history, to popularize it; to bring forth from the silent studio of the scholar and to expose in the public market of life, for the common good, the great men and great deeds embalmed in history, and of which only the studious have hitherto enjoyed the monopoly. Thus, at least, have I considered the vocation I have chosen, not vainly or inconsiderately, but with a profound conviction of the greatness of my undertaking, and with a depressing consciousness that my power and acquirements may prove inadequate for the attainment of my proposed end. But I am also fully conscious of what was and still is my greatest desire: to give an agreeable and popular form to our national history, which may attract the attention and affections of our people, which may open their understandings to the tendencies of political movements, and connect the facts of history with the events of actual life. The severe historian has to do but with accomplished facts; he can only record and describe, with the strictest regard to truth, that which has outwardly occurred. He describes the battles of peoples, the struggles of nations, the great deeds of heroes, the actions of princes—in short, he gives the accomplished facts. To investigate and explain the secret motives, the hidden causes of these facts, to present them in connection with all that impelled to them, this is the task of Historical Romance

More books from Library of Alexandria

Cover of the book The Sufi Message of Hazrat Murshid Inayat Khan: Sufi Mysticism by Luise Mühlbach
Cover of the book Three Philosophical Poets Lucretius, Dante and Goethe by Luise Mühlbach
Cover of the book A Portraiture of Quakerism (Complete) by Luise Mühlbach
Cover of the book The American Indian as Slaveholder and Seccessionist: An Omitted Chapter in the Diplomatic History of the Southern Confederacy by Luise Mühlbach
Cover of the book The Guide of the Desert by Luise Mühlbach
Cover of the book A Horse's Tale by Luise Mühlbach
Cover of the book Non Dir Quattro Se Non L'Hai Nel Sacco: Commedia in Un Atto by Luise Mühlbach
Cover of the book Adventures on the Roof of the World by Luise Mühlbach
Cover of the book Gaza: A City of Many Battles From the Family of Noah to the Present Day by Luise Mühlbach
Cover of the book Principles of Decorative Design by Luise Mühlbach
Cover of the book In Convent Walls: The Story of the Despensers by Luise Mühlbach
Cover of the book South Africa and the Transvaal War, Vol. IV From Lord Roberts' Entry into the Free State to the Battle of Karree by Luise Mühlbach
Cover of the book Julia And Her Romeo: A Chronicle of Castle Barfield by Luise Mühlbach
Cover of the book Discourses of Methodius (Complete) by Luise Mühlbach
Cover of the book Life of Father Ignatius of St. Paul, Passionist. The Hon. & Rev. George Spencer by Luise Mühlbach
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy