On the Date, Sources and Design of Shakespeare's The Tempest

Biography & Memoir, Literary, Fiction & Literature, Literary Theory & Criticism
Cover of the book On the Date, Sources and Design of Shakespeare's The Tempest by Roger A. Stritmatter, Lynne Kositsky, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Roger A. Stritmatter, Lynne Kositsky ISBN: 9781476603704
Publisher: McFarland & Company, Inc., Publishers Publication: August 24, 2013
Imprint: Language: English
Author: Roger A. Stritmatter, Lynne Kositsky
ISBN: 9781476603704
Publisher: McFarland & Company, Inc., Publishers
Publication: August 24, 2013
Imprint:
Language: English

This book challenges a longstanding and deeply ingrained belief in Shakespearean studies that The Tempest—long supposed to be Shakespeare’s last play—was not written until 1611. In the course of investigating this proposition, which has not received the critical inquiry it deserves, a number of subsidiary and closely related interpretative puzzles come sharply into focus. These include the play’s sources of New World imagery; its festival symbolism and structure; its relationship to William Strachey’s True Reportory account of the 1609 Bermuda wreck of the Sea Venture (not published until 1625)—and the tangled history of how and why scholars have for so long misunderstood these matters. Publication of some preliminary elements of the authors’ arguments in leading Shakespearean journals (starting in 2007) ignited a controversy that became part of the critical history. This book presents the case in full for the first time.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book challenges a longstanding and deeply ingrained belief in Shakespearean studies that The Tempest—long supposed to be Shakespeare’s last play—was not written until 1611. In the course of investigating this proposition, which has not received the critical inquiry it deserves, a number of subsidiary and closely related interpretative puzzles come sharply into focus. These include the play’s sources of New World imagery; its festival symbolism and structure; its relationship to William Strachey’s True Reportory account of the 1609 Bermuda wreck of the Sea Venture (not published until 1625)—and the tangled history of how and why scholars have for so long misunderstood these matters. Publication of some preliminary elements of the authors’ arguments in leading Shakespearean journals (starting in 2007) ignited a controversy that became part of the critical history. This book presents the case in full for the first time.

More books from McFarland & Company, Inc., Publishers

Cover of the book Stealing Sisi's Star by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Rebellion as Genre in the Novels of Scott, Dickens and Stevenson by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Living with HIV by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Seattle Public Sculptors by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Joe Gans by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Axis Diplomats in American Custody by Roger A. Stritmatter, Lynne Kositsky
Cover of the book The 5th Marine Regiment Devil Dogs in World War I by Roger A. Stritmatter, Lynne Kositsky
Cover of the book The Beauty of Short Hops by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Subhas Chandra Bose by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Social Media and South Korean National Security by Roger A. Stritmatter, Lynne Kositsky
Cover of the book The Quick, the Dead and the Revived by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Literature into Film by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Movies as History by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Text & Presentation, 2016 by Roger A. Stritmatter, Lynne Kositsky
Cover of the book Crowd Violence in American Modernist Fiction by Roger A. Stritmatter, Lynne Kositsky
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy