On The Pleasure Principle In Culture
Illusions Without Owners
Nonfiction, Health & Well Being, Psychology, Psychoanalysis, Social & Cultural Studies, Social Science, Sociology, Religion & Spirituality, Philosophy
| Author: | Robert Pfaller | ISBN: | 9781781682203 |
| Publisher: | Verso Books | Publication: | July 15, 2014 |
| Imprint: | Verso | Language: | English |
| Author: | Robert Pfaller |
| ISBN: | 9781781682203 |
| Publisher: | Verso Books |
| Publication: | July 15, 2014 |
| Imprint: | Verso |
| Language: | English |
For many illusions, it is easy to find owners – people who proudly declare that they believe in things such as life after death, human reason, and self-regulation of financial markets. Yet there are also different kinds of illusions at work, for example, in art: trompe l’oeil-painting pleases its observers with “anonymous illusions” – illusions where it is not entirely clear who exactly it is that should be deceived.
Anonymous illusions offer a universal pleasure principle within culture: they are present in games, sport, design, eroticism, manners, charm, beauty, etc. However it seems that this pleasure principle is increasingly subjected to misrecognition: the proud proprietors of certain illusions are no longer capable of recognizing that they too follow anonymous illusions. As a consequence, they mistake happy, polite others for naïve idiots or “savages” – as owners of stupid illusions; and consider their happiness an obscene intrusion – as something in which they could never share.
Pfaller explores the strange properties of these shared illusions, and finds that they have a central and crucial role in our culture—and we need to better understand them in order to protect the public sphere.
For many illusions, it is easy to find owners – people who proudly declare that they believe in things such as life after death, human reason, and self-regulation of financial markets. Yet there are also different kinds of illusions at work, for example, in art: trompe l’oeil-painting pleases its observers with “anonymous illusions” – illusions where it is not entirely clear who exactly it is that should be deceived.
Anonymous illusions offer a universal pleasure principle within culture: they are present in games, sport, design, eroticism, manners, charm, beauty, etc. However it seems that this pleasure principle is increasingly subjected to misrecognition: the proud proprietors of certain illusions are no longer capable of recognizing that they too follow anonymous illusions. As a consequence, they mistake happy, polite others for naïve idiots or “savages” – as owners of stupid illusions; and consider their happiness an obscene intrusion – as something in which they could never share.
Pfaller explores the strange properties of these shared illusions, and finds that they have a central and crucial role in our culture—and we need to better understand them in order to protect the public sphere.
